Examining carefully selected, crisply reproduced works by 21 modern Americans, the authors develop an intelligent approach to appreciation based on awareness of the artists' techniques and intentions. From its elegantly simple title-page spread—bold, harmoniously combined sans-serif types balanced by a Lichtenstein painting that spells ``ART''—this is a notably handsome book that impels the reader to take a fresh look. Grabbing the young reader's attention at the outset with a Frankenstein's monster entitled Made in Japan, Greenberg and Jordan carefully define terms and elucidate concepts in relation to specific paintings, using special vocabulary accurately while commendably avoiding academic jargon. Photos of the artists at work and quotes from interviews and their published works not only illuminate the art but make the process of creation more accessible. Suggesting a wealth of insights and interpretations (and a rich language to convey them, including words for colors, effects, and emotions and even several poems inspired by paintings), the presentation attunes the reader to the painter's question: ``This is what I see. What do you see?'' Beautifully designed, organized, reasoned, and presented, an outstanding, mind-expanding book—not easy, but rewarding. Thumbnail sketches of the artists, grouped by seven movements (abstract expressionism, minimalism, pop, etc.); glossary; bibliography; further reading; index. (Nonfiction. 11+)
Pub Date: June 1, 1991
ISBN: 0-385-30319-X
Page Count: 96
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1991
An enviable hero and appealing wish fulfillment that’s spiced with teen-friendship drama.
When her family moves to London, an American teen adjusts to a new school in this middle-grade novel.
Previously, 12-year-old Mackenzie Blue Carmichael, called Zee, detailed her seventh grade escapades in the five-volume Mackenzie Blue series. Now a year older and in the eighth grade, the red-haired, blue-eyed, olive-skinned Zee faces a major life change because her father’s job is taking the family to London from Los Angeles. Besides leaving behind sunny skies for London fog, Zee must say goodbye to Chloe Lawrence-Johnson, her best friend from Brookdale Academy. Another big change is that Zee will be attending a boarding school, The Hollows Creative Arts Academy, in the Cotswolds. That’s a bit intimidating, but the school has some huge advantages, especially its focus on the arts. She can concentrate on her singing and songwriting while studying academic subjects. Plus, her Brookdale friend Ally Stern now lives in Paris, just two hours away. Despite her anxieties, Zee makes several friends quickly. Unexpectedly, she is taken into the charmed circle of Izzy Matthews, a popular YouTuber, and hits it off with the school’s hottest ninth grade boy, the posh Archibald “Archie” Saint John the Fourth, a fellow songwriter. But hurdles remain, such as staying in touch with Chloe across time zones. Ally, too, has been mysteriously distant, canceling a planned Paris rendezvous for unclear reasons. Wells (now writing with Smith) continues the Mackenzie Blue series under a new umbrella title. Transplanting Zee to England allows for a fresh array of challenges and adventures, and American readers will likely enjoy learning about cultural differences with Britain. (Some references are off target; for example, the name St. John isn’t spelled “Saint John.”) Zee has a lively voice that makes her sound like a friend any teen would like to have, although few readers will be able to relate to the characters’ wealthy lives. Teens own expensive, high-status items like Alexander McQueen sneakers, and their school is so far out of reach for most that it might as well be Hogwarts. These elements are certainly entertaining as an aspirational fantasy, though Zee’s troubles seem lightweight indeed among so much privilege. The fast-paced plot ends rather abruptly just as it feels as if Zee’s story is really getting started; the tale continues in Book 2. Jamison supplies monochrome illustrations that deftly convey the teens’ expressive emotions.
An enviable hero and appealing wish fulfillment that’s spiced with teen-friendship drama.Pub Date: N/A
ISBN: N/A
Page Count: 167
Publisher: West Margin Press
Review Posted Online: April 20, 2021
Kirkus Reviews Issue: June 1, 2021
Review Program: Kirkus Indie
If Rotten Ralph were a boy instead of a cat, he might be Joey, the hyperactive hero of Gantos's new book, except that Joey is never bad on purpose. In the first-person narration, it quickly becomes clear that he can't help himself; he's so wound up that he not only practically bounces off walls, he literally swallows his house key (which he wears on a string around his neck and which he pull back up, complete with souvenirs of the food he just ate). Gantos's straightforward view of what it's like to be Joey is so honest it hurts. Joey has been abandoned by his alcoholic father and, for a time, by his mother (who also drinks); his grandmother, just as hyperactive as he is, abuses Joey while he's in her care. One mishap after another leads Joey first from his regular classroom to special education classes and then to a special education school. With medication, counseling, and positive reinforcement, Joey calms down. Despite a lighthearted title and jacket painting, the story is simultaneously comic and horrific; Gantos takes readers right inside a human whirlwind where the ride is bumpy and often frightening, especially for Joey. But a river of compassion for the characters runs through the pages, not only for Joey but for his overextended mom and his usually patient, always worried (if only for their safety) teachers. Mature readers will find this harsh tale softened by unusual empathy and leavened by genuinely funny events. (Fiction. 11-13)
Pub Date: Oct. 1, 1998
ISBN: 0-374-33664-4
Page Count: 154
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1998
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