by Jan Reynolds & photographed by Jan Reynolds ‧ RELEASE DATE: May 1, 2006
The well-traveled author-photographer, who has provided many strongly individual portraits of peoples, now emphasizes similarities in the celebrations that humans have created for the seasons, births, deaths, weddings and histories. The sharing of food and drink; the gathering of many people together; the use of masks, distinctive clothing and makeup; and the special elements of music, dance and fire are all found in the festivals and observances of far-flung and still largely traditional cultures, including the Tibetans and Sherpas, the Tuareg, the Sami, the Inuit, the Balinese, the Yanomami and the Aborigines. Some U.S. celebrations are also included. The fascinating photographs are the strong point here, but the short paragraphs that explain the rituals and customs will tantalize readers to find out more. (bibliography) (Nonfiction. 7-11)
Pub Date: May 1, 2006
ISBN: 1-58430-253-4
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2006
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by Anne Miranda & illustrated by Anne Miranda ‧ RELEASE DATE: Aug. 1, 1999
Miranda’s book counts the monsters gathering at a birthday party, while a simple rhyming text keeps the tally and surveys the action: “Seven starved monsters are licking the dishes./Eight blow out candles and make birthday wishes.” The counting proceeds to ten, then by tens to fifty, then gradually returns to one, which makes the monster’s mother, a purple pin-headed octopus, very happy. The book is surprisingly effective due to Powell’s artwork; the color has texture and density, as if it were poured onto the page, but the real attention-getter is the singularity of every monster attendee. They are highly individual and, therefore, eminently countable. As the numbers start crawling upward, it is both fun and a challenge to try to recognize monsters who have appeared in previous pages, or to attempt to stay focused when counting the swirling or bunched creatures. The story has glints of humor, and in combination with the illustrations is a grand addition to the counting shelf. (Picture book. 3-8)
Pub Date: Aug. 1, 1999
ISBN: 0-15-201835-2
Page Count: 32
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1999
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by Patricia Polacco & illustrated by Patricia Polacco ‧ RELEASE DATE: Sept. 1, 2002
This longer Christmas story centers on an embroidered tapestry purchased to hang in a church for the Christmas Eve service. As with many of her works, Polacco (When Lightning Comes in a Jar, p. 665, etc.) sets her story in Michigan, this time in wintry Detroit. Young Jonathan resents his family’s recent move from Tennessee to where his minister father has been reassigned to renovate an old church and revive its congregation. Through a series of Dickensian trials and coincidences, the tapestry is purchased to cover some water damage to a church wall, and an elderly Jewish woman (and Holocaust survivor) whom the family has befriended recognizes the tapestry as the one she made in pre-WWII Germany for her wedding ceremony. In an ending worthy of O. Henry, the repairman who arrives on Christmas Eve to inspect the water damage turns out to be the woman’s long-lost husband (each thought the other had died in the Holocaust), and the devoted couple is reunited. Polacco succeeds as always with her watercolor-and-pencil illustrations in creating unique, expressive characters who seem to have real lives in their snowy city streets, cozy living rooms, and busy church. The gentle, reassuring message, suggested to Jonathan by his kindly father, is that “the universe unfolds as it should,” even when we don’t understand the pattern of the tapestry. (Picture book. 7-10)
Pub Date: Sept. 1, 2002
ISBN: 0-399-23955-3
Page Count: 160
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2002
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