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WINTER IN WARTIME

A nuanced perspective on World War II and a testament to the power of a young person to resist.

A Dutch teenager is caught in a web of wartime conspiracy.

When the German army invaded the Netherlands and Belgium, Michiel was 11. He thought war would be exciting and hoped it would last a long time. Now, in the winter of 1944, he wishes the war would end. The son of the mayor of a rural village, Michiel knows how to keep a secret. No longer able to attend school, he runs errands and helps his family give shelter and sustenance to people walking hundreds of miles to bring food to their families in famine-stricken cities. He also listens with pride to Uncle Ben’s stories of his resistance work. When Michiel’s neighbor is captured by the Nazis, Michiel becomes responsible for more secrets than he thought possible. As winter stretches on and Michiel strives to do the right thing, he becomes increasingly embroiled in dangerous situations that seem to precipitate terrible consequences. Originally published in Dutch in 1973 and newly translated here, this gripping tale of conspiracy and humanity is based on the author’s childhood memories of the war. Suspenseful third-person narration provides historically and culturally specific details along with insight into Michiel’s inner thoughts. The contradictions and the horrors of war are laid out in succinct, powerful prose. Winding to a quiet yet satisfying ending, Terlouw laments the never-ending cycle of war. All characters are assumed white.

A nuanced perspective on World War II and a testament to the power of a young person to resist. (Historical fiction. 12-16)

Pub Date: Feb. 4, 2020

ISBN: 978-1-68137-426-0

Page Count: 200

Publisher: New York Review Books

Review Posted Online: Nov. 23, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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A PLACE TO HANG THE MOON

A wartime drama with enough depth and psychological complexity to satisfy budding bookworms.

Three plucky orphan siblings are in search of a mother in wartime England.

When their grandmother dies, 12-year-old William, 11-year-old Edmund, and 9-year-old Anna are left in London in the care of an elderly housekeeper. As part of the World War II evacuation of children to safety, they are relocated to the countryside, something the family solicitor hopes may lead to finding adoptive parents. However, they are billeted with the Forresters, an unpleasant family reminiscent of the Dursleys. Bullying by their hosts’ two sons, who despise them; the ever present fear of German attack; and the dread of homelessness test their mettle to the limit. The orphans long to find a home of their own, and good boy William is stressed by his responsibility as head of the small family. Edmund’s desire for revenge against the Forresters and a prank involving a snake get them evicted from their billet, and they end up in a much worse situation. They find sanctuary in the village library and a savior in the librarian, who is married to a German and therefore ostracized by the locals. Mrs. Müller provides them with moral support, a listening ear, and true appreciation and love. The classic books she chooses for them—The Wind in the Willows and Anne of Green Gables, among others—may generate ideas for further reading. All characters are White.

A wartime drama with enough depth and psychological complexity to satisfy budding bookworms. (reading list) (Historical fiction. 12-16)

Pub Date: Feb. 2, 2021

ISBN: 978-0-8234-4705-3

Page Count: 320

Publisher: Margaret Ferguson/Holiday House

Review Posted Online: Nov. 16, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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WHITE BIRD

A WONDER STORY

A must-read graphic novel that is both heart-rending and beautifully hopeful.

A grandmother shares her story of survival as a Jew in France during World War II.

As part of a homework assignment, Julian (Auggie’s chief tormentor in Wonder, 2012) video chats with Grandmère, who finally relates her wartime story. Born Sara Blum to a comfortable French Jewish family, she is indulged by her parents, who remain in Vichy France after 1940. Then, in 1943, after the German occupation, soldiers come to Sara’s school to arrest her and the other Jewish students. Sara hides and is soon spirited away by “Tourteau,” a student that she and the others had teased because of his crablike, crutch-assisted walk after being stricken by polio. Nonetheless, Tourteau, whose real name is Julien, and his parents shelter Sara in their barn loft for the duration of the war, often at great peril but always with care and love. Palacio begins each part of her story with quotations: from Muriel Rukeyser’s poetry, Anne Frank, and George Santayana. Her digital drawings, inked by Czap, highlight facial close-ups that brilliantly depict emotions. The narrative thread, inspired by Palacio’s mother-in-law, is spellbinding. In the final pages, the titular bird, seen in previous illustrations, soars skyward and connects readers to today’s immigration tragedies. Extensive backmatter, including an afterword by Ruth Franklin, provides superb resources. Although the book is being marketed as middle-grade, the complexities of the Holocaust in Vichy France, the growing relationship between Sara and Julien, Julien’s fate, and the mutual mistrust among neighbors will be most readily appreciated by Wonder’s older graduates.

A must-read graphic novel that is both heart-rending and beautifully hopeful. (author’s note, glossary, suggested reading list, organizations and resources, bibliography, photographs) (Graphic historical fiction. 12-16)

Pub Date: Oct. 1, 2019

ISBN: 978-0-525-64553-5

Page Count: 224

Publisher: Knopf

Review Posted Online: June 22, 2019

Kirkus Reviews Issue: July 15, 2019

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