A solidly researched, artfully written novel that’s both entertaining and educational.
Walker’s (Romar Jones Takes a Hike, 2012, etc.) Depression-era novel offers a microcosm of small-town 1930s America.
The tale opens in November 1932 as the citizens of Burke Bay, on the banks of Washington state’s Puget Sound, prepare to celebrate Thanksgiving. Seeking work and a chance to cash in on the area’s lucrative distilleries, a dapper Farley Price arrives in his fancy automobile with his timid wife, Eleanor, and their young daughter, Hannah. They’re soon welcomed by the well-respected Helmer and Ebbe Persson, who hire Farley to harvest turkeys. But when Price’s violent drunkenness and underhanded business plans threaten the community’s stability, Burke Bay residents rally to protect Eleanor and Hannah. Several subplots add dimension to the main story, including schoolteacher Maeva Swanson’s rocky relationship with longtime beau Axel Jenson as she bucks tradition and asserts her independence. Third-generation distiller Orval Blevins, in particular, is a truly memorable character; Walker deftly reveals his story as Blevins struggles to balance his desire to continue his family’s traditional livelihood with his wife’s demands that he adjust to the post-Prohibition marketplace and devise a suitable business for their son, Theodore, to inherit. A quirky pair of bachelor brothers, Hauk and Lang Nordlund, around whom two love triangles develop, help bring the story to its resolution. The close-knit Scandinavian community of Burke Bay could be nearly any ethnic enclave facing the challenges of prolonged unemployment, economic uncertainty, and intergenerational conflict and acculturation. But Walker’s characters and keen observations bring the town alive, leaving readers with a deep understanding of the people and the challenges they faced during a tumultuous era. The author also intriguingly shows how the production and consumption of alcohol influences individual people, families and the community at large.
A solidly researched, artfully written novel that’s both entertaining and educational.Pub Date: Sept. 8, 2013
ISBN: 978-0984840052
Page Count: 336
Publisher: Plicata Press
Review Posted Online: Jan. 2, 2014
Kirkus Reviews Issue: Feb. 1, 2014
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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