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SREBRENICA

RECORD OF A WAR CRIME

By focusing on the single most horrific event in the Bosnian war, the authors reveal in compelling detail the complex and ambiguous nature of international involvement in that conflict. In July 1995 the ``safe area'' of Srebrenica in eastern Bosnia fell to Bosnian Serb forces, despite the presence of Dutch peacekeeping troops. Some 20,000 women and children were deported. Several thousand Muslim men, both soldiers and civilians, were killed in cold blood by the Bosnian Serb army. Honig and Both's presentation of these enormously complex and frustrating events serves as a general indictment of all the circumstances surrounding the tragedy. The authors are Dutch specialists in war and defense studies, and their account dwells heavily on the military and political considerations, including the role of Dutch combat forces, the only UN forces serving in that area. This meticulous and honest reconstruction of events leaves no party unblemished, from the warring armies to UN officials. (Dutch soldiers, for instance, were held hostage by both Bosnian Army and Bosnian Serb forces.) Sharp accusations are leveled at the Serbian leadership itself, whom the authors consider guilty of pursuing genocide as ``part of a deliberate strategy.'' If there is a clear villain in this story, it is General Ratko Mladic, commander of the Bosnian Serb army. If there is a hero, it is certainly General Phillippe Morillon, of the UN forces, who valiantly attempted to save Srebrenica by personal initiative. Above all, Srebrenica questions the morality of the international community's policies in Bosnia. ``Was it right,'' the authors ask, ``to have opposed ethnic cleansing and instituted `safe areas' in eastern Bosnia, if one was unwilling to put one's life at risk to protect the people in those areas?'' Srebrenica is a penetrating and thoughtful response to this vexing and complex question.

Pub Date: March 1, 1997

ISBN: 0-14-026632-1

Page Count: 224

Publisher: Penguin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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