A brief but enlightening social history of a great American artist.
A fresh, well-researched study of artist Norman Rockwell’s treatment of race.
When readers think of Rockwell, they generally don’t picture a radical trailblazer who bucked conservative trends and broke racial stereotypes. Instead, they picture, well, his pictures—works that seem to embrace wholesome ideas: Thanksgiving dinner, grandmothers praying, puppies. Petrick (Beyond Time Management, 1998), in this smart, nuanced book, encourages readers to look again at Rockwell’s varied body of work. She argues that Rockwell was far from a closed-minded portrait artist; he actually went to great lengths to represent African-Americans and other minorities in his works, motivated by an intense desire to represent all of America. She provides many frequently overlooked examples, including “Working on the Statue of Liberty” (1946), which depicts five workers cleaning the famous statue; the model for the figures was white, but Rockwell painted one of the workers as having brown skin. He included minorities in his paintings throughout his career—not something easily done in mid-century America—and made race the topic of several high-profile pieces, including “The Problem We All Live With” (1964), in which a young black girl is shown entering a New Orleans school. Rockwell’s main employer, the Saturday Evening Post, had a policy stating that illustrations could only portray blacks in menial positions—a rule which Rockwell did his best to skirt around. Eventually, however, he tired of this limitation and began working for the more liberal Look, where he pursued projects with a distinct social bent, including “Murder in Mississippi” (1965), inspired by the 1964 killing of three civil rights activists. Petrick relays all this with clarity and insight, drawing on the portraits, Rockwell’s own biography and the ample scholarship that surrounds the artist. She also talks to the African-American models for some of his paintings, and these interviews can feel extraneous at times, as when the author occasionally delves too much into the models’ lives today. However, they highlight Rockwell’s desire to capture all facets of America and all of its stories. The irony, Petrick wisely points out, is that so few people choose to see this side of Rockwell today, preferring instead the “whitewashed” version. In this book, she manages to say something revealing about the artist—and about us.
A brief but enlightening social history of a great American artist.Pub Date: Oct. 8, 2013
ISBN: 978-0989260114
Page Count: 143
Publisher: Informed Decisions Publishing
Review Posted Online: Sept. 26, 2013
Kirkus Reviews Issue: Dec. 1, 2013
Review Program: Kirkus Indie
In more ways than one, a tale about young creatures testing their wings; a moving, entertaining winner.
A fifth-grade New Orleans girl discovers a mysterious chrysalis containing an unexpected creature in this middle-grade novel.
Jacquelyn Marie Johnson, called Jackie, is a 10-year-old African-American girl, the second oldest and the only girl of six siblings. She’s responsible, smart, and enjoys being in charge; she likes “paper dolls and long division and imagining things she had never seen.” Normally, Jackie has no trouble obeying her strict but loving parents. But when her potted snapdragon acquires a peculiar egg or maybe a chrysalis (she dubs it a chrysalegg), Jackie’s strong desire to protect it runs up against her mother’s rule against plants in the house. Jackie doesn’t exactly mean to lie, but she tells her mother she needs to keep the snapdragon in her room for a science project and gets permission. Jackie draws the chrysalegg daily, waiting for something to happen as it gets larger. When the amazing creature inside breaks free, Jackie is more determined than ever to protect it, but this leads her further into secrets and lies. The results when her parents find out are painful, and resolving the problem will take courage, honesty, and trust. Dumas (Jaden Toussaint, the Greatest: Episode 5, 2017, etc.) presents a very likable character in Jackie. At 10, she’s young enough to enjoy playing with paper dolls but has a maturity that even older kids can lack. She’s resourceful, as when she wants to measure a red spot on the chrysalegg; lacking calipers, she fashions one from her hairpin. Jackie’s inward struggle about what to obey—her dearest wishes or the parents she loves—is one many readers will understand. The book complicates this question by making Jackie’s parents, especially her mother, strict (as one might expect to keep order in a large family) but undeniably loving and protective as well—it’s not just a question of outwitting clueless adults. Jackie’s feelings about the creature (tender and responsible but also more than a little obsessive) are similarly shaded rather than black-and-white. The ending suggests that an intriguing sequel is to come.
In more ways than one, a tale about young creatures testing their wings; a moving, entertaining winner.Pub Date: Nov. 11, 2017
ISBN: 978-1-943169-32-0
Page Count: 212
Publisher: Plum Street Press
Review Posted Online: Feb. 22, 2018
Kirkus Reviews Issue: April 15, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A YA novel that treats its subject and its readers with respect while delivering an engaging story.
In the ninth book in the Bluford young-adult series, a young Latino man walks away from violence—but at great personal cost.
In a large Southern California city, 16-year-old Martin Luna hangs out on the fringes of gang life. He’s disaffected, fatherless and increasingly drawn into the orbit of the older, rougher Frankie. When a stray bullet kills Martin’s adored 8-year-old brother, Huero, Martin seems to be heading into a life of crime. But Martin’s mother, determined not to lose another son, moves him to another neighborhood—the fictional town of Bluford, where he attends the racially diverse Bluford High. At his new school, the still-grieving Martin quickly makes enemies and gets into trouble. But he also makes friends with a kind English teacher and catches the eye of Vicky, a smart, pretty and outgoing Bluford student. Martin’s first-person narration supplies much of the book’s power. His dialogue is plain, but realistic and believable, and the authors wisely avoid the temptation to lard his speech with dated and potentially embarrassing slang. The author draws a vivid and affecting picture of Martin’s pain and confusion, bringing a tight-lipped teenager to life. In fact, Martin’s character is so well drawn that when he realizes the truth about his friend Frankie, readers won’t feel as if they are watching an after-school special, but as though they are observing the natural progression of Martin’s personal growth. This short novel appears to be aimed at urban teens who don’t often see their neighborhoods portrayed in young-adult fiction, but its sophisticated characters and affecting story will likely have much wider appeal.
A YA novel that treats its subject and its readers with respect while delivering an engaging story.Pub Date: Jan. 1, 2004
ISBN: 978-1591940173
Page Count: 152
Publisher: Townsend Press
Review Posted Online: Jan. 26, 2013
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
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