Heavy emotions outweigh adventure in this energetic sequel.
In this second installment of a trilogy, a teenager battles demons across multiple planes of reality.
Emily Alvey is the Ovate of the First Realm, able to channel both Keen (male) and Blaze (female) Fae energies. She’s also a 17-year-old girl of the Second Realm—the real world—where she was sexually abused by her father, Drake, a decade ago. After overdosing on sleeping pills near her Uncle Ian’s Northern California vineyard, Emily finds herself in a detox center. Once she recovers, she falls for her childhood friend Kaillen Raidho. Aunt Nancy also teaches her self-hypnosis techniques so she can visit the First Realm on her own. This helps when her father decides to move Emily, along with her mother and siblings, back to their home in Dallas. In the First Realm, Emily can marshal her Fae powers—with the help of her Shield Maidens—and battle Drake in the Third Realm, a place of his own creation. But the High Queen isn’t pleased with Emily for breaking the seal between realms. A plague has destroyed the Seventh Kingdom, leaving countless Fae citizens disenfranchised in hovels. Emily must find the Champion to stop Drake from taking control of her family and abusing anyone else. Following the events of her previous novel, Harris (Riven, 2016, etc.) once more brings to bear a formidable imagination as her heroine seeks healing. While there are elves, goblins, and giant spiders, this isn’t a traditional quest narrative. Concepts such as sexual consent and self-forgiveness dominate the foreground. Nancy says that the majority of abuse victims “never speak their secrets because they’re so afraid of how people will react.” Emily further learns that her “self-worth is so intertwined with being desired that sometimes I fail to distinguish between friendship and something more.” Valuable as these explorations are, Harris allows a large cast to languish while focusing on the protagonist. Emily’s emotions are kinetically realized, but characters like the High Queen and even Kaillen feel undervalued by comparison. Fans may crave less introspection and more concrete plotting in the final installment.
Heavy emotions outweigh adventure in this energetic sequel.Pub Date: March 20, 2018
ISBN: N/A
Page Count: 408
Publisher: CreateSpace
Review Posted Online: Feb. 22, 2018
Review Program: Kirkus Indie
BOOK REVIEW
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
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