Brocket once again presents a pleasingly huge variety of objects, from the mundane to the fantastic and everything in...
Brocket continues her Clever Concepts series with this look at numbers from one to 20.
From ordinary objects and shots of the numbers found in the world to cookie cutouts of the numbers and graffiti on a wall, the brightly colored and patterned photographs take center stage. “We can find four things / that are the same. / Four that are different. / Or two of each.” The photos show a “4” on a door, four identical striped beach chairs, four different-colored triangle pennants on a string and a checkerboard-patterned slice of cake. Clever use of embroidery melds the real and the sewn on some pages. But readers need to have a firm grasp of the slippery concept of numbers-vs.-numerals once they get into the double digits so as to avoid some headaches and confusion. The page devoted to the number 10 also uses number-shaped cookies, so there are actually 11 cookies; Brocket states that “There are twelve / numbers on the clock”; and, really jarring, the end copyright page includes a picture of the actual cookie cutters from 0 through 8—6 must double as 9. But with an adult to guide children, the pictures should help them parse the distinctions.
Brocket once again presents a pleasingly huge variety of objects, from the mundane to the fantastic and everything in between. (Counting book. 4-6)Pub Date: Oct. 1, 2013
ISBN: 978-1-4677-0232-4
Page Count: 32
Publisher: Millbrook
Review Posted Online: Aug. 27, 2013
Kirkus Reviews Issue: Sept. 15, 2013
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BOOK REVIEW
BOOK REVIEW
Share this feel-good title with those who love art and those who can appreciate the confidence-building triumph of solving a...
Reynolds returns to a favorite topic—creative self-expression—with characteristic skill in a companion title to The Dot (2003) and Ish (2004).
Marisol is “an artist through and through. So when her teacher told her class they were going to paint a mural…, Marisol couldn’t wait to begin.” As each classmate claims a part of the picture to paint, Marisol declares she will “paint the sky.” But she soon discovers there is no blue paint and wonders what she will do without the vital color. Up to this point, the author uses color sparingly—to accent a poster or painting of Marisol’s or to highlight the paint jars on a desk. During her bus ride home, Marisol wonders what to do and stares out the window. The next spread reveals a vibrant departure from the gray tones of the previous pages. Reds, oranges, lemon yellows and golds streak across the sunset sky. Marisol notices the sky continuing to change in a rainbow of colors…except blue. After awakening from a colorful dream to a gray rainy day, Marisol smiles. With a fervent mixing of paints, she creates a beautiful swirling sky that she describes as “sky color.” Fans of Reynolds will enjoy the succinct language enhanced by illustrations in pen, ink, watercolor, gouache and tea.
Share this feel-good title with those who love art and those who can appreciate the confidence-building triumph of solving a problem on one’s own—creatively. (Picture book. 4-6)Pub Date: Aug. 28, 2012
ISBN: 978-0-7636-2345-6
Page Count: 32
Publisher: Candlewick
Review Posted Online: June 19, 2012
Kirkus Reviews Issue: July 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
BOOK REVIEW
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