DISCOVERING EVE

SHORT STORIES

Coleman's second collection (after Stories from Mesa Country, 1991): mostly delicate explorations of the passage of adolescents into adulthood and of married women into the complexities of adultery or disenchantment. In the first section here, ``The Balducci Garden,'' the narrator of the title story comes of age sexually by voyeuristically observing the Balducci brothers who live next door to her grandmother. The central metaphor is an apt one—the narrator breaks stones apart to find ``the hidden beauty'' of their crystalline centers. This sort of metaphor-cum-sketch is the dominant pattern here—Coleman relies on her poetic prose to carry readers instead of fully developing her plots—and, usually, it works. In the second section, ``The Age of Insects,'' the title story is about a woman who, along with her husband, baby, and shallow mother-in-law, comes upon a beached whale and learns of the callousness of humans. In ``The Lover of Swamps,'' a poet—married to a naturalist but in love with someone else—develops ``an affinity with the swamp.'' In ``Glasnost,'' a woman of 40 comes to see how she's ``lived more than half [her] life as a robot.'' The third section, ``Wives and Lovers,'' begins with the delicate story of a sculptor who falls in love with a woman in a house where he's a temporary guest and who learns from her how to see. In ``Compromising Alice,'' Alice, after 15 years of marriage to jerk George, divorces him to consider whether or not to marry thoughtful Henry. And ``La Signora Julia'' is about a famous physicist's student who develops a crush on the man's wife and meditates on how incompatible people manage to stay together before learning, later, that the man's wife has left him. Coleman, at best, displays the easy poetic grace of an Alice Munro. Even when sketchy, her lyricism usually saves the day.

Pub Date: May 15, 1993

ISBN: 0-8040-0964-3

Page Count: 216

Publisher: Ohio Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 1993

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Old-fashioned short fiction: honest, probing and moving.

A PERMANENT MEMBER OF THE FAMILY

One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.

Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.

Old-fashioned short fiction: honest, probing and moving.

Pub Date: Nov. 12, 2013

ISBN: 978-0-06-185765-2

Page Count: 304

Publisher: Ecco/HarperCollins

Review Posted Online: Sept. 1, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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Readers seeking a tale well told will take pleasure in King’s sometimes-scary, sometimes merely gloomy pages.

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THE BAZAAR OF BAD DREAMS

STORIES

A gathering of short stories by an ascended master of the form.

Best known for mega-bestselling horror yarns, King (Finders Keepers, 2015, etc.) has been writing short stories for a very long time, moving among genres and honing his craft. This gathering of 20 stories, about half previously published and half new, speaks to King’s considerable abilities as a writer of genre fiction who manages to expand and improve the genre as he works; certainly no one has invested ordinary reality and ordinary objects with as much creepiness as King, mostly things that move (cars, kid’s scooters, Ferris wheels). Some stories would not have been out of place in the pulp magazines of the 1940s and ’50s, with allowances for modern references (“Somewhere far off, a helicopter beats at the sky over the Gulf. The DEA looking for drug runners, the Judge supposes”). Pulpy though some stories are, the published pieces have noble pedigrees, having appeared in places such as Granta and The New Yorker. Many inhabit the same literary universe as Raymond Carver, whom King even name-checks in an extraordinarily clever tale of the multiple realities hidden in a simple Kindle device: “What else is there by Raymond Carver in the worlds of Ur? Is there one—or a dozen, or a thousand—where he quit smoking, lived to be 70, and wrote another half a dozen books?” Like Carver, King often populates his stories with blue-collar people who drink too much, worry about money, and mistrust everything and everyone: “Every time you see bright stuff, somebody turns on the rain machine. The bright stuff is never colorfast.” Best of all, lifting the curtain, King prefaces the stories with notes about how they came about (“This one had to be told, because I knew exactly what kind of language I wanted to use”). Those notes alone make this a must for aspiring writers.

Readers seeking a tale well told will take pleasure in King’s sometimes-scary, sometimes merely gloomy pages.

Pub Date: Nov. 3, 2015

ISBN: 978-1-5011-1167-9

Page Count: 512

Publisher: Scribner

Review Posted Online: Aug. 17, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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