STORIES FROM MESA COUNTRY

A first collection of 14 stories that peoples a southwestern landscape with female survivors of one kind of abuse or another. At her best, Coleman can evoke the haunted landscape and the domestic discord of a Frostian dramatic poem or the passionate bitterness of a Lawrentian short story. ``Sunflower'' concerns a female narrator and her husband Clay, who have found a weary acceptance of each other after her passionate youth and catastrophic tryst with young lover Miguel (``I never felt I could ask him [Clay] where the joy went...''). Likewise, in ``The Voices of Doves,'' the narrator, a bereaved mother who lost her infant—one of many children—when her illiterate helper oiled the baby accidentally with carbolic acid, reaches a reconciliation with the girl after a lonely recognition of a kind of fate that is bound up in the land: ``There is a violence in this soil, in the people who labor on it.'' ``Mesa Country,'' on the other hand, is sparse and Lawrentian: ``We live in tumult. Everyone.'' Other stories are more typically feminist and lyrical in their intent and execution: ``The Paseo'' lovingly evokes in ``a silent marketplace'' a promenade of women ``wrapped around their pearls'' and a male narrator who wants to paint one of the young beauties, but whose downfall involves both the local culture and his own unacknowledged desires. In ``The Ugliest Woman in the World,'' the narrator runs off with wild macho man Buck, only to come to her senses, faced with his selfishness, and leave him. A woman in ``Acts of Mercy'' rides off on a horse to help a neighbor faced with wild dogs—the men here are absent and finally unnecessary. Coleman's stories—some published in such journals as South Dakota Review and Puerto Del Sol—evoke a harsh natural and man- dominated world where women sometimes become strong through their suffering.

Pub Date: Nov. 30, 1991

ISBN: 0-8040-0949-X

Page Count: 151

Publisher: Ohio Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 1991

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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