An inverted fairy tale in which the happily-ever-after occurs without the prince.

FAMILY PICTURES

Sylvie thought she had already experienced the worst that life could deal her: After her husband died, leaving her to raise Eve alone, what more could happen?

Years later, Sylvie has a good life. Her daughter Eve will head off to college soon, and her second husband, Mark, may be ready to settle down into a sales manager position. While life with Jonathan brimmed with the glow of young love, life with Mark rings with a secure love. Maybe it’s Mark’s traveling that has kept their love life sparking after 11 years—years that have seen other marriages fail. Yet all is not well, not well at all, in Eve’s life. Struggling to hide her worsening eating disorder, not to mention her secret second Facebook account, Eve’s once-close relationship with Sylvie is deteriorating. One fateful weekend, Eve goes to an all-girls party in New York City, where she meets a kindred spirit, Grace, and the two girls swiftly abandon the others to their partying. Grace takes Eve home, where she meets Chris, Grace’s older brother, who is instantly attracted to her. Grace’s mother, Maggie, is a perfectionist (even her husband calls her the General), who has adopted a posh accent and posted rules throughout the opulent house. And it is there, in Maggie’s lovely Connecticut home, that Eve sees a photograph that will ruin two families. Riddled with coincidences and unlikely secrets, Green’s (Another Piece of My Heart, 2012, etc.) latest still manages to explore complex family dynamics with warmth.

An inverted fairy tale in which the happily-ever-after occurs without the prince.

Pub Date: March 19, 2013

ISBN: 978-0-312-59183-0

Page Count: 352

Publisher: St. Martin's

Review Posted Online: Dec. 17, 2012

Kirkus Reviews Issue: Jan. 1, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.

BAREFOOT

Privileged 30-somethings hide from their woes in Nantucket.

Hilderbrand’s saga follows the lives of Melanie, Brenda and Vicki. Vicki, alpha mom and perfect wife, is battling late-stage lung cancer and, in an uncharacteristically flaky moment, opts for chemotherapy at the beach. Vicki shares ownership of a tiny Nantucket cottage with her younger sister Brenda. Brenda, a literature professor, tags along for the summer, partly out of familial duty, partly because she’s fleeing the fallout from her illicit affair with a student. As for Melanie, she gets a last minute invite from Vicki, after Melanie confides that Melanie’s husband is having an affair. Between Melanie and Brenda, Vicki feels her two young boys should have adequate supervision, but a disastrous first day on the island forces the trio to source some outside help. Enter Josh, the adorable and affable local who is hired to tend to the boys. On break from college, Josh learns about the pitfalls of mature love as he falls for the beauties in the snug abode. Josh likes beer, analysis-free relationships and hot older women. In a word, he’s believable. In addition to a healthy dose of testosterone, the novel is balanced by powerful descriptions of Vicki’s bond with her two boys. Emotions run high as she prepares for death.

Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.

Pub Date: July 2, 2007

ISBN: 978-0-316-01858-6

Page Count: 352

Publisher: Little, Brown

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 2007

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