THE PHOEBE VARIATIONS

A young woman searches for a self.

Phoebe Hudson is about to graduate from high school and go off to college when her adoptive mother, Greta, decides she should meet her birth family, the Dahlgrens. Phoebe is reluctant, afraid “for reasons [she] didn’t want to consider, reasons [she] didn’t know how to consider.” Nevertheless, the two set out for Wisconsin, on a trip that proves fateful for both. Looking back at her life many decades later, Phoebe recalls herself as a teenager, wanting “something, anything, to happen.” What does happen on the fraught road to adulthood involves friendship and betrayal, love and self-discovery. Hamilton provides a handful of likely characters to accompany Phoebe on her journey: a best friend—in this case, the privileged Luna Barker; a boy—actually, a horde of them, the assorted, quirky O’Connor brothers; and a wise woman, the acerbic Hertha, a German immigrant, who cleans house for Greta, the Barkers, and the O’Connors, casting a knowing eye on all. As Phoebe feared, the visit to the Dahlgrens unsettles her, leaving her feeling unmoored and betrayed by Greta. She runs away, taking shelter with the O’Connors, who have so many children that she’s sure she won’t be noticed. The brothers do notice her, though, and contrive a farcical event that propels her into a new sense of her identity and her future. At one decisive point, Phoebe remembers lines from Charlotte Brontë that seem to echo her angst: “What was I doing here alone…? What should I do on the morrow? What prospects had I in life? What friends had I on earth? Whence did I come? Whither should I go? What should I do?” They could serve aptly as an epigraph for Hamilton’s perceptive rendering of a young woman’s growing pains.

An empathetic chronicle, both tender and comical.