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THE EXECUTIONER'S DAUGHTER

Name: THE EXECUTIONER'S DAUGHTER
Author: Jane Hardstaff
ISBN: 978-1-60684-562-2

by Jane Hardstaff ‧ RELEASE DATE: April 1, 2016

A richly detailed debut with a classic feel, full of grit, gore, and gilt.

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When she tries to save her neck, a young girl learns there are dangers outside the dungeon too.

Brought to the Tower of London as a motherless baby, 12-year-old Moss hates her limited life and reviled role as the basket girl, carrying the heads of the newly decapitated after Pa beheads Henry VIII’s prisoners. She loves stories, like the one of the Riverwitch, but she rebels when she doubts her father’s tales of their ties to the tower. Seizing the first chance at freedom, Moss plunges right into the Thames and danger. She hobnobs with nobles, befriends a boot thief, and tangles with the supernatural spirit who tries to lure children beneath the icy surface. Hardstaff gambles with her blend of fiction and folklore and her compression of dates, but she excels with her depiction of Tudor England, offering lavish descriptions of clothing and food, a moderate amount of lower-class dialect, and a slew of stench and grime. Anne Boleyn comes off a bit too prescient and moralistic to be believed, but court politics get an arch appraisal. Unhampered by any real historical role yet propelled by the fairy-tale undercurrent, Moss shifts, rebellious adolescent, clever child, and fortuitous historical-fiction heroine by turn.

A richly detailed debut with a classic feel, full of grit, gore, and gilt. (Historical fantasy. 10-14)

Pub Date: April 1, 2016

ISBN: 978-1-60684-562-2

Page Count: 264

Publisher: Carolrhoda

Review Posted Online: Jan. 8, 2016

Kirkus Reviews Issue: Jan. 15, 2016

Categories:

CHILDREN'S SCIENCE FICTION & FANTASY | CHILDREN'S HISTORICAL FICTION

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

by Soman Chainani ; illustrated by Iacopo Bruno ‧ RELEASE DATE: May 14, 2013

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

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Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)