Rollicking and engaging. A confident, fresh, roguishly charming first work.
In her entertaining debut, a British writer hands the job of storytelling to a saucily streetwise servant in Victorian Scotland.
Daisy O’Toole (aka Bessy Buckley) leaps to irresistible life on page one of this historical mystery/romp—she’s a savvy, earthy, comical and compelling character in search of decent work, having already earned her stripes as a child prostitute and live-in concubine when she was probably no older than 14. Despite her salty tongue and seen-it-all attitude, she charms her way into employment at Castle Haivers, working as the “in and out girl” (i.e., maid) for Arabella Reid, who is secretly writing Observations on the Habits and Nature of the Domestic Class in My Time, for which she obliges Daisy to write a (semi-literate) journal. Harris neatly layers these texts, with their omissions, embellishments and varied versions of the facts. Daisy learns from Arabella’s book that a previous maid, Nora, a model servant, met a nasty end under the wheels of a speeding train. Daisy uses her own journal to exploit her mistress’s nerves and Arabella has a breakdown, her mental health now given over to the care of her husband and a doctor keen to apply punishing contemporary remedies. (While Sarah Waters’s Fingersmith took a different, more terrifying look at Victorian treatment of the insane, the authors have in common an invigorating modern approach to historical fiction.) Harris’s story, though light on plot, is rich in character, its strength deriving almost wholly from Daisy’s irrepressible and ripe narrative voice. A helter-skelter conclusion combines farce (Arabella escapes confinement and beats with a shovel the pompous cleric responsible for Nora’s downfall), tragedy (another death on the railway line) and moral improvement (Daisy’s virtues recognized), takes a few sideswipes at the publishing business and still leaves the door open for what Daisy might do next.
Rollicking and engaging. A confident, fresh, roguishly charming first work.Pub Date: June 19, 2006
ISBN: 0-670-03773-7
Page Count: 416
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2006
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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