A joyous feast of food, travel, and human relationships.

THE REPORTER'S KITCHEN

The longtime New Yorker European correspondent gathers a selection of her finest food-and-travel essays.

Kramer (Lone Patriot: The Short Career of an American Militiaman, 2002, etc.) shares 13 pieces that she published in the New Yorker between 2002 and 2017. She divides the book into four sections that emphasize theme over chronology. Part I introduces readers to Kramer’s Upper West Side kitchen, a space where food, writing, and memory are inseparable. She remarks how certain topics—for example, French politics—will inspire her to make certain dishes, such as chicken tagine, which she associates with “the French-speaking sheikh whose wives taught me how to make it.” In Part II, Kramer offers in-depth profiles of respected food writers and chefs from around the world. In one essay, she tells the story of how a mutual interest in Asian cuisine and traveling brought Jeffrey Alford and Naomi Duguid into an elite circle of food scholars; in another, the author narrates how Yotam Ottolenghi, a brilliant philosophy student, followed his passion for cooking from his native Jerusalem to London, where he opened a wildly successful fusion restaurant. The author’s own adventurous spirit takes center stage in Part III, where she reflects on such subjects as her never-ending personal improvement “quest” to collect cookbooks; her quirky interest in root vegetables and forks; and on how an experiment in foraging eventually led her to Denmark and René Redzepi, the forager-chef/visionary behind the world-famous Noma restaurant. In Part IV, Kramer explores the relationship between food and various forms of ritual. She discusses Thanksgiving and her experiments observing this most revered of American traditions during one summer in Italy. As she notes in the concluding essay, celebrations—especially those that include food—mark a “passage from the ordinariness of daily life into the next round of daily life by way of a salubrious diversion.” Eloquent and charmingly loquacious, Kramer's essays are sharp and insightful.

A joyous feast of food, travel, and human relationships.

Pub Date: Nov. 21, 2017

ISBN: 978-1-250-07437-9

Page Count: 304

Publisher: St. Martin's

Review Posted Online: Sept. 4, 2017

Kirkus Reviews Issue: Sept. 15, 2017

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A LITTLE HISTORY OF POETRY

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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SLEEPERS

An extraordinary true tale of torment, retribution, and loyalty that's irresistibly readable in spite of its intrusively melodramatic prose. Starting out with calculated, movie-ready anecdotes about his boyhood gang, Carcaterra's memoir takes a hairpin turn into horror and then changes tack once more to relate grippingly what must be one of the most outrageous confidence schemes ever perpetrated. Growing up in New York's Hell's Kitchen in the 1960s, former New York Daily News reporter Carcaterra (A Safe Place, 1993) had three close friends with whom he played stickball, bedeviled nuns, and ran errands for the neighborhood Mob boss. All this is recalled through a dripping mist of nostalgia; the streetcorner banter is as stilted and coy as a late Bowery Boys film. But a third of the way in, the story suddenly takes off: In 1967 the four friends seriously injured a man when they more or less unintentionally rolled a hot-dog cart down the steps of a subway entrance. The boys, aged 11 to 14, were packed off to an upstate New York reformatory so brutal it makes Sing Sing sound like Sunnybrook Farm. The guards continually raped and beat them, at one point tossing all of them into solitary confinement, where rats gnawed at their wounds and the menu consisted of oatmeal soaked in urine. Two of Carcaterra's friends were dehumanized by their year upstate, eventually becoming prominent gangsters. In 1980, they happened upon the former guard who had been their principal torturer and shot him dead. The book's stunning denouement concerns the successful plot devised by the author and his third friend, now a Manhattan assistant DA, to free the two killers and to exact revenge against the remaining ex-guards who had scarred their lives so irrevocably. Carcaterra has run a moral and emotional gauntlet, and the resulting book, despite its flaws, is disturbing and hard to forget. (Film rights to Propaganda; author tour)

Pub Date: July 10, 1995

ISBN: 0-345-39606-5

Page Count: 432

Publisher: Ballantine

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 1995

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