With its heart on its sleeve, this offering falls short of other, better picture books that come out swinging against...
A heartfelt, albeit heavy-handed, treatise against bullying is delivered in plodding rhyming verse.
Co-authored by Lynch (who, as Sue Sylvester on television’s Glee, is a notorious bully), the rhyming text suffers under the weight of its earnest message and slim characterization. Why is Marlene so mean? Readers don’t ever find out—apart from an oblique reference to anger that motivates her random acts of cruelty. Other children cower in her wake, while adults who might step in are pointedly absent from words and pictures. Finally, Big Freddy, “his voice loud and steady,” intervenes to stop all the mean. He does so by simply asking Marlene why she is so mean and by pointing out to the others that she is not so scary after all. The children are emboldened by his actions, and they stand up to her too, refusing to flinch when she continues her tirade of bullying. In an odd narrative twist, she ends up sneezing out her meanness and deciding to reform, though the text eagerly points out that she doesn’t become an angel overnight. Tusa’s comical, lively, watercolor illustrations save the day in what would otherwise be a fairly forgettable addition to the anti-bullying bandwagon.
With its heart on its sleeve, this offering falls short of other, better picture books that come out swinging against bullying. (Picture book. 4-6)Pub Date: Sept. 23, 2014
ISBN: 978-0-385-37908-3
Page Count: 32
Publisher: Random House
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
A straightforward tale of conflict and reconciliation for newly emergent readers? Not exactly, which raises it above the...
In this deceptively spare, very beginning reader, a girl assembles a robot and then treats it like a slave until it goes on strike.
Having put the robot together from a jumble of loose parts, the budding engineer issues an increasingly peremptory series of rhymed orders— “Throw, Bot. / Row, Bot”—that turn from playful activities like chasing bubbles in the yard to tasks like hoeing the garden, mowing the lawn and towing her around in a wagon. Jung crafts a robot with riveted edges, big googly eyes and a smile that turns down in stages to a scowl as the work is piled on. At last, the exhausted robot plops itself down, then in response to its tormentor’s angry “Don’t say no, Bot!” stomps off in a huff. In one to four spacious, sequential panels per spread, Jung develops both the plotline and the emotional conflict using smoothly modeled cartoon figures against monochromatic or minimally detailed backgrounds. The child’s commands, confined in small dialogue balloons, are rhymed until her repentant “Come on home, Bot” breaks the pattern but leads to a more equitable division of labor at the end.
A straightforward tale of conflict and reconciliation for newly emergent readers? Not exactly, which raises it above the rest. (Easy reader. 4-6)Pub Date: June 25, 2013
ISBN: 978-0-375-87083-5
Page Count: 32
Publisher: Random House
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
BOOK REVIEW
An unfortunately simplistic delivery of a well-intentioned message.
Drawing on lyrics from her Mormon children’s hymn of the same title, Pearson explores diversity and acceptance in a more secular context.
Addressing people of varying ages, races, origins, and abilities in forced rhymes that omit the original version’s references to Jesus, various speakers describe how they—unlike “some people”—will “show [their] love for” their fellow humans. “If you don’t talk as most people do / some people talk and laugh at you,” a child tells a tongue-tied classmate. “But I won’t! / I won’t! / I’ll talk with you / and giggle too. / That’s how I’ll show my love for you.” Unfortunately, many speakers’ actions feel vague and rather patronizing even as they aim to include and reassure. “I know you bring such interesting things,” a wheelchair user says, welcoming a family “born far, far away” who arrives at the airport; the adults wear Islamic clothing. As pink- and brown-skinned worshipers join a solitary brown-skinned person who somehow “[doesn’t] pray as some people pray” on a church pew, a smiling, pink-skinned worshiper’s declaration that “we’re all, I see, one family” raises echoes of the problematic assertion, “I don’t see color.” The speakers’ exclamations of “But I won’t!” after noting others’ prejudiced behavior reads more as self-congratulation than promise of inclusion. Sanders’ geometric, doll-like human figures are cheery but stiff, and the text’s bold, uppercase typeface switches jarringly to cursive for the refrain, “That’s how I’ll show my love for you.” Characters’ complexions include paper-white, yellow, pink, and brown.
An unfortunately simplistic delivery of a well-intentioned message. (Picture book. 4-6)Pub Date: March 17, 2020
ISBN: 978-1-4236-5395-0
Page Count: 32
Publisher: Gibbs Smith
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: Feb. 15, 2020
BOOK REVIEW
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