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FLIRTING WITH FORTY

The premise is that women should know more joy in their lives, but this hollow novel is a joyless chore.

Seattle divorcée hopes surf lessons will be a solution to her midlife crisis.

When they divorced, Jackie Laurens’s husband got the vacation house in Palm Springs and a hot young girlfriend. Jackie got the kids and a mega-dose of bitterness. She works as an interior designer, a job that requires her to coddle affluent clients during their outrageous shopping sprees. In her free time, Jackie and her friends gripe about their empty lives and the endless familial obligations that take up so much time. It’s a stretch to feel pity for this privileged crew of heavily caffeinated and flawlessly highlighted ladies. As she nears her 40th birthday, Jackie surmises that her existence is shallow and that she is owned by her possessions. The solution to her malaise is decidedly uninspired—on a quest to simplify her life and find true happiness she books a luxurious getaway to Hawaii. Her search leads her to Kai, a surf instructor. This surfer boy leads a life free from guilt and expectations. Kai provides Jackie with a little spiritual guidance and a lot of steamy sex. Jackie is drawn to his live-for-today philosophy. It doesn’t hurt that this feel-good guru happens to be smoking-hot and ten years younger. The two lovers carry on a long-distance romance that shocks Jackie’s friends and her ex-husband. Despite their disapproval, Jackie continues to see Kai—he makes her feel sexy, young and full of potential, but the impracticalities of the relationship eventually wear Jackie down. She talks a big game about embracing life, but she’s pitiful when it comes to putting her words into action. In the hands of Porter (The Frog Prince, not reviewed), the plight of the middle-aged woman is bleak. The book reads like a rough draft of a memoir, lacking polish and nuance. The ruminations of the heroine are monotonous and the ending is as subtle as a Lifetime made-for-TV movie.

The premise is that women should know more joy in their lives, but this hollow novel is a joyless chore.

Pub Date: July 13, 2006

ISBN: 0-446-69726-5

Page Count: 368

Publisher: 5 Spot/Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2006

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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