Despite this shortcoming, another interesting read for horse lovers and Abby Lovitt fans.
Smiley continues the equine adventures of Abby Lovitt (True Blue, 2011, etc.).
When Abby, now 14 and a high school freshman, takes her beloved horse True Blue to a local horse show, she's shocked by how poorly they perform over fences. A clinic immediately following, with a nationally known rider, goes no better: While he seems to like Abby's riding, he has nothing nice to say about Blue and is, in fact, so rude toward Abby's group that one girl, Sophia, gets off her horse and refuses to ride again. Period. Abby gets a chance to school Sophia's lovely horse Pie in the Sky, which helps her understand why Blue is having trouble. A completely different sort of clinic, with a "natural horseman" (à la Buck Brannaman, the inspiration for The Horse Whisperer), gets Abby, Sophia and Blue back on the road to success. Smiley's writing is, as always, nearly flawless. Her evocation of the horse world of northern California in the 1960s is pitch-perfect, and Abby remains a complex and sympathetic character. But this story carries less weight than its three predecessors. Readers will believe from the start that Abby will sort out Blue's issues, and Sophia's problems are not particularly compelling. Without a strong problem, the story lacks tension and the resolution, force.
Despite this shortcoming, another interesting read for horse lovers and Abby Lovitt fans. (Fiction. 10-14)Pub Date: Sept. 11, 2012
ISBN: 978-0-375-86968-6
Page Count: 272
Publisher: Knopf
Review Posted Online: July 17, 2012
Kirkus Reviews Issue: Aug. 1, 2012
A quick, agreeable caper, this may spark some discussion even as it entertains.
Myla and Peter step into the path of a gang when they unite forces to find Peter’s runaway brother, Randall.
As they follow the graffiti tags that Randall has been painting in honor of the boys’ deceased father, they uncover a sinister history involving stolen diamonds, disappearances, and deaths. It started long ago when the boys’ grandmother, a diamond-cutter, partnered with the head of the gang. She was rumored to have hidden his diamonds before her suspicious death, leaving clues to their whereabouts. Now everyone is searching, including Randall. The duo’s collaboration is initially an unwilling one fraught with misunderstandings. Even after Peter and Myla bond over being the only people of color in an otherwise white school (Myla is Indian-American; mixed-race Peter is Indian, African-American, and white), Peter can’t believe the gang is after Myla. But Myla possesses a necklace that holds a clue. Alternating first-person chapters allow peeks into how Myla, Peter, and Randall unravel the story and decipher clues. Savvy readers will put the pieces together, too, although false leads and red herrings are cleverly interwoven. The action stumbles at times, but it takes place against the rich backdrops of gritty New York City and history-laden Dobbs Ferry and is made all the more colorful by references to graffiti art and parkour.
A quick, agreeable caper, this may spark some discussion even as it entertains. (Mystery. 10-12)Pub Date: May 30, 2017
ISBN: 978-1-4197-2296-7
Page Count: 272
Publisher: Amulet/Abrams
Review Posted Online: Feb. 19, 2017
Kirkus Reviews Issue: March 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.
A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).
Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)Pub Date: March 6, 2018
ISBN: 978-0-399-25778-0
Page Count: 432
Publisher: Philomel
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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