A frothy and stirring tale that blends music, magic, and romance.
A magical being fleeing her past encounters a young pianist in this novel.
Kalida is one of the Cavern-born, beings whose magical abilities and fighting prowess have made them multi-realm conquerors. Music seems harsh and unnatural to the cold, cruel Cavern-born, but after hearing a prisoner’s song, Kalida finds herself unable to bear her home’s darkness and violence. She escapes to the woods in the realm of Andrea, where she watches the Snowden children, Christine and Charlie, grow up in a nearby manor. Penniless pianist Desmond “Des” Fairweather visits the manor one day at the urging of his friend Jake Banner, a tabloid reporter chasing a scoop that the now-adult Christine can talk to her garden flowers. Des has a tragic past—a spell gone wrong killed his parents—and is reluctant to acknowledge or practice magic. But Jake is convinced Des attracts magical beings and promises an audition with a local symphony in exchange for the musician’s help. Taking a moment to practice on Christine’s piano, Des glimpses an enigmatic woman who seems entranced by his music. The woman, of course, is Kalida. As Jake searches for a story and helps Christine tackle her problems—Charlie is missing and a cousin is scheming to acquire the manor—Des and Kalida pursue a deeper connection. But Kalida’s Cavern-born family has come to take her back to its realm, endangering the whole group. Tesh (The Monsters of Spiders’ Rest, 2017, etc.) writes movingly of Kalida’s gradual metamorphosis after hearing the prisoner’s song (“a crack in our world”), making a compelling case for the transformative power of music. Des and Jake’s interactions are snappily written, with their combative banter and Jake’s antics lending a screwball comedy appeal to balance Kalida’s heavier story. When Des and Kalida do properly meet, a mysterious connection becomes romantic a bit too quickly to not feel forced. The weight put on their sudden true love causes the novel’s later portions to feel a bit rushed. Despite these structural problems, the book delivers a fun read.
A frothy and stirring tale that blends music, magic, and romance.Pub Date: June 15, 2017
ISBN: 978-1-60975-124-1
Page Count: 216
Publisher: Silver Leaf Books
Review Posted Online: Dec. 1, 2017
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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