SHOULD HAVE TOLD YOU SOONER

A museum curator’s job in London forces her to confront an old heartache in Ward’s novel.

Noel Enfield has been stuck in her position as the Director of Collections at Massachusetts’ Field-Lyons Museum for years. She allowed her career to languish to give her full attention to her husband and stepdaughter, Alice. Now, just as her marriage is ending in divorce and her relationship with Alice is in doubt, Noel has received an offer: a six-month appointment at the renowned Addison Gallery in London, to be followed by a promotion when she returns to the Field-Lyons. She leaps at the opportunity—how could she not, especially when she learns her accommodations will be large enough for Alice to come visit? But London isn’t exactly a clean slate for Noel. She was a university student there, years ago, when she fell in love with Bryn Jones, a Welsh artist whom she planned to marry. The relationship ended soon after Noel discovered she was pregnant, and she retreated to America without a husband, a child, or her degree. Now, Noel’s position at the Addison has placed her at the center of the London art scene, where long-lost acquaintances from her university days—including the now-established Bryn—pop back into her life. It turns out the past is much more complicated than Noel ever knew, but will pursuing a chance at the family Noel might have had cost her the one she’s desperately fighting to save? Ward writes of art and the art world with precision and vigor, as here when she describes one of Bryn’s paintings: “The painting—unfinished—was of a lake…Bold strokes and varying thicknesses of paint suggested textured fields in the distance, remnants of snow on the mountains, red flowers—or were those lichens?—dotting the rocks lakeside.” The story deftly leaps back and forth between the early 1990s and the present, crafting a romance that, while predictable in places, always manages to hold the contented reader in the palm of its hand.

An artful and affecting novel of loss and reconnection.