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GIFT OF THE MAGPIE

Regina is a shoe-obsessed magpie. Max is into Regina, a smitten magpie. Max figures if he finds the right shoe, it will seal their fate together. He tenders a flip-flop. “That was funny, Max. What would I do with a shoe?” Ho ho, but no deal. Max next tries an old basketball sneaker. “The silence was deafening.” Regina, mortified, flees. Max, heartbroken, joins another flock. But that winter, in the gloom and cold, Regina takes to the hi-top, a cozy retreat. Come spring and the return of Max—voila, magpies in heaven. Mason has pulled a double out of her hat. The text is uncomplicated but sophisticated and poignant: Of the spurned sneaker, “ ‘It was the biggest shoe in the whole dump,’ he pleaded in a whisper.” And the artwork is an impressive display, as riotously colorful as a bowl of jelly beans, the lush two-page spreads shot through with the trills of the other magpies’ less fetishistic finds: huckleberries, sweet peas, sunflowers and grasshoppers. But they don’t hold a candle to Regina's magpie-enhanced sneaker for two. (Picture book. 5-9)

Pub Date: Jan. 1, 2011

ISBN: 978-1-58980-861-4

Page Count: 32

Publisher: Pelican

Review Posted Online: Dec. 29, 2010

Kirkus Reviews Issue: Jan. 1, 2011

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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