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ALL WE EVER WANTED WAS EVERYTHING

Desperately contrived, but the bitchiness is fun in small doses.

Brown’s fiction debut is a bitter comedy about divorce in California’s Silicon Valley, where apparently men are even more ruthless in marriage than in business.

The same day his pharmaceutical company stock rises meteorically, Paul Miller sends his wife, via messenger, a typed note letting her know that he is leaving her for her tennis partner. Forty-nine-year-old Janice is shocked. She and Paul have been married since she became pregnant in college with their first daughter, Margaret, now 29, and she gave up her dreams to become Paul’s perfect wife—or at least a smashing cook and tennis player. The kind of controlled suburban matron who keeps herself and her home in immaculate condition, Janice doesn’t have a clue about her daughters. After spending most of her childhood overweight and unpopular, 14-year-old Lizzie has recently lost weight and become more popular—or at least busy—since she started having sex with any boy who asks. Margaret, who moved to Los Angeles with her actor boyfriend several years ago, much to her parents’ dismay, has driven the boyfriend away and racked up close to $100,000 in debt running a feminist magazine that even she knows is pretentious twaddle. Learning of the impending divorce, Margaret rushes home not to care for her distraught mother but to escape her creditors. Meanwhile, a distraught Janice starts drinking heavily and buying methamphetamines from the pool guy. Then Margaret discovers that Paul is trying to screw Janice out of her share of his wealth—he even attempts bribing Margaret to testify against her mother in court—and she is galvanized into action. Meanwhile, Lizzie, who has joined a Christian youth group and signed an abstinence oath, realizes she is pregnant. Janice and her daughters bicker and keep secrets from each other but eventually they unite against Paul, who, like most of the male characters, is a total jerk.

Desperately contrived, but the bitchiness is fun in small doses.

Pub Date: May 27, 2008

ISBN: 978-0-385-52401-8

Page Count: 368

Publisher: Spiegel & Grau

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2008

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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