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I'M JUST HAPPY TO BE HERE

A MEMOIR OF RECKLESSNESS, REHAB, AND RENEGADE MOTHERING

A searingly candid memoir.

A popular blogger’s tragicomic account of how early motherhood and marriage propelled her into a cycle of drug and alcohol addiction from which she narrowly escaped.

Hanchett, the creator of the Renegade Mothering blog, was a senior in college when she discovered that she was pregnant by Mac, a 19-year-old rancher’s son she had been dating for three months. Feeling she had let down a family that believed she would “do something impressive in life,” the author gave birth to a baby girl, married Mac, and settled into uneasy domesticity, which she made more manageable by “remain[ing] drunk about 40 percent of my waking hours.” Eventually diagnosed with postpartum depression, she tried to ease the tedium and isolation of stay-at-home life by taking a job as a receptionist. Instead, she found herself drinking more heavily and fighting with Mac, who drank in codependent solidarity with her. She left Mac and then returned and became pregnant again, vowing to make her family life work. Instead, she and Mac continued drinking and doing drugs together. After a psychiatrist diagnosed her with borderline personality disorder, Hanchett began what would become an ongoing search for a “rehab that would cure me.” But she found no relief. Her clinic stays became islands of temporary sobriety in a life that seemed to become increasingly dedicated to self-destruction. Her body and marriage on the verge of irrevocable collapse, the author unexpectedly found salvation in the counsel of a fellow recovering alcoholic she named “Good News Jack.” His brutal honesty forced Hanchett to realize that in order to rebuild her life, she had to let go of reason and put her faith in “the pulse holding the stars…[and] the thing that makes me alive beyond breath.” By turns painful and funny, the book explores the pressures of modern motherhood while chronicling one woman’s journey toward acceptance of her own limitations and imperfections.

A searingly candid memoir.

Pub Date: May 1, 2018

ISBN: 978-0-316-50377-8

Page Count: 320

Publisher: Hachette

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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