Despite an exciting and complex plot, far less special than the first two.
In this far-future trilogy’s conclusion, a disabled archaeology student–cum–military hero deciphers an alien probe.
In 2789, humanity lives on 1,200 different worlds, everyone teleporting effortlessly among star systems—except the fraction of humans who are born Handicapped, their immune systems viable only on Earth. Eighteen-year-old Jarra’s Handicapped, and although she’s accomplished great archaeological and military feats (Earth Girl, 2013; Earth Star, 2014), she feels trapped on Earth. As Jarra and her boyfriend, Fian, provide critical assistance to the Military in decoding an alien probe, anti-Handicapped hostility escalates to an acid attack and a bombing. Jarra’s and Fian’s combined intellects lead to complex realizations (which are exciting though out of the blue; readers are merely along for the ride): there is a danger to humanity that only Jarra can tackle—and only from a distant planet. To that end, she undergoes an extreme and risky physical operation. It cures her disability. (It also places scientifically necessary lights under her skin, coincidentally making her “more beautiful.”) This wish-fulfillment ending severely undermines the series’ social-justice theme about mistreatment of the Handicapped; moreover, it falls into the literary rut of magical cures, implying that (still-) disabled protagonists and happy endings are a mismatch. Readers captivated by the first two installments’ thrilling archaeological excavations will find them absent here.
Despite an exciting and complex plot, far less special than the first two. (Science fiction. 11-16)Pub Date: Sept. 8, 2015
ISBN: 978-1-63388-092-4
Page Count: 360
Publisher: Pyr/Prometheus Books
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: June 1, 2015
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
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Fast-moving and intriguing though inconsistent on multiple fronts.
Kids endure rigorous competition aboard a spaceship.
When Babel Communications invites 10 teens to participate in “the most serious space exploration known to mankind,” Emmett signs on. Surely it’s the jackpot: they’ll each receive $50,000 every month for life, and Emmett’s mother will get a kidney transplant, otherwise impossible for poor people. They head through space toward the planet Eden, where they’ll mine a substance called nyxia, “the new black gold.” En route, the corporation forces them into brutal competition with one another—fighting, running through violent virtual reality racecourses, and manipulating nyxia, which can become almost anything. It even forms language-translating facemasks, allowing Emmett, a black boy from Detroit, to communicate with competitors from other countries. Emmett's initial understanding of his own blackness may throw readers off, but a black protagonist in outer space is welcome. Awkward moments in the smattering of black vernacular are rare. Textual descriptions can be scanty; however, copious action and a reality TV atmosphere (the scoreboard shows regularly) make the pace flow. Emmett’s first-person voice is immediate and innocent: he realizes that Babel’s ruthless and coldblooded but doesn’t apply that to his understanding of what’s really going on. Readers will guess more than he does, though most confirmation waits for the next installment—this ends on a cliffhanger.
Fast-moving and intriguing though inconsistent on multiple fronts. (Science fiction. 12-16)Pub Date: Sept. 12, 2017
ISBN: 978-0-399-55679-1
Page Count: 384
Publisher: Crown
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
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