A chronicle of a life in fishing by an author who seems like good company.
A tackle box full of fishing tips, memories, histories, anecdotes, taxidermy, and even recipes from an angler who found focus and purpose for her life among her fellow fishermen on Martha’s Vineyard.
Though the location suggests a life of leisure among the privileged elite, Messineo endured a hardscrabble upbringing and found herself among the outsider artistic community, working as a waitress and overindulging in drugs and alcohol. Fishing likely saved her life, or at least gave her one, though she doesn’t belabor the redemptive spirit as much as the title suggests. The author also doesn’t wax too poetic, at least once she moves beyond the introduction, where she describes fishing as “the meditative place similar to where gardeners go when they kneel in the dirt and dig their fingers in the soil….Standing in the surf, casting my lure toward the horizon, I feel like I am the woman I’m meant to be….My life becomes meaningful and I feel part of my surroundings.” Comparatively, the rest of the memoir is more nuts-and-bolts description: how and where the author learned to fish, how she went from feeling like an intruder to being accepted as a rare woman in a sport dominated by men, how the ethics and competition of fishing have changed—and how cheaters have occasionally rigged that competition and gotten away with it. Messineo writes about lucky sweaters and about how unlucky bananas are for fishermen. She touches on her marriages and the son she and her husband have adopted, and she treads lightly on the schizophrenia of her fishing mentor, who eventually succumbed to suicide. Whereas many fishing memoirs are often more literary, turning that time with nature into a spiritual pilgrimage and the art of fishing into a metaphor for life, this is more about fishing itself, written for readers who like to fish or think they might like to learn.
A chronicle of a life in fishing by an author who seems like good company.Pub Date: July 2, 2019
ISBN: 978-1-5247-4764-0
Page Count: 320
Publisher: Pantheon
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
IN THE NEWS
PERSPECTIVES
SEEN & HEARD
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
SEEN & HEARD
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