PINO AND THE SIGNORA’S PASTA

Pedersen dishes up a tale about the homeless cats in Rome, the Signora who feeds them pasta and one grande gatto who wants a special meal that will make him purr like music. Unlike the other cats, Pino is tired of pasta and wants something better. His food foray to sample fish at the outdoor café, crusts at the pizzeria and stew at the trattoria causes chaos, leaving a trail of broken crockery, startled waiters and annoyed diners, all shooing him away. Yet the fine cuisine leaves him with a pitiful purr, until Pino realizes that the most satisfying meal is Signora’s pasta, because it fills his heart with love and keeps him purring. Illustrations of gouache, watercolor, crayon and pen have a spontaneous air with sketchy lines drolly expressing feline and human reactions. The Rome setting won’t matter to kids because they’ll focus on Pino’s escapades, which are the spice in the sauce here. (Picture book. 5-8)

Pub Date: Sept. 1, 2005

ISBN: 0-7636-2396-2

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 2005

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THE WONKY DONKEY

The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 29, 2018

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JOHN PHILIP DUCK

Edward and his father work for the Peabody Hotel in Memphis since the Depression has brought hard times for so many. On weekends they return to their farm in the hills and it’s there Edward finds John Philip Duck, named for the composer whose marches Edward listens to on the radio. Edward has to look after the scrawny duckling during the week, so he risks the ire of the hotel manager by taking John Philip with him. The expected occurs when Mr. Shutt finds the duckling. The blustery manager makes Edward a deal. If Edward can train John Philip to swim in the hotel fountain all day (and lure in more customers), Edward and the duck can stay. After much hard work, John Philip learns to stay put and Edward becomes the first Duck Master at the hotel. This half-imagined story of the first of the famous Peabody Hotel ducks is one of Polacco’s most charming efforts to date. Her signature illustrations are a bit brighter and full of the music of the march. An excellent read aloud for older crowds, but the ever-so-slightly anthropomorphic ducks will come across best shared one-on-one. (Picture book. 5-8)

Pub Date: June 1, 2004

ISBN: 0-399-24262-7

Page Count: 40

Publisher: Philomel

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 2004

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