From Wong (The Rainbow Hand, p. 231, etc.), a collection of 15 soulful poems that commands attention and keeps until the end, with a canny, singular take on the familiar imagery of dreamtime. These are episodes of remembrance and genesis, falling and flying, of speaking an unknown language with facility, of the bite of an inexorable nightmare. Short and vivid, the poems urge readers to “pull/at the air around you/when you wake,/pull and gulp it down” to keep alive the presence of the departed who have just visited the dreamer. Wong can be skip-quick to suggest evanescence, or her words can flutter with fear; she can be exquisitely funny, as when a sibling eavesdrops on a sister who is talking and laughing in her sleep—about the eavesdropper. Paschkis is equal to the task of illustrating these poems, with two-page spreads presented as mirror-image two-toned diptychs, bursting with glyphs and portents across dream-crazed backgrounds, with the text scrolling across one page and the full-color image undulating from the other. (Picture book/poetry. 7-10)
Pub Date: March 1, 2000
ISBN: 0-689-82617-6
Page Count: 32
Publisher: McElderry
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PLB 0-531-33141-5 In what amounts to a novel in poems, a narrator, 11, declares his satisfaction at “Being The Youngest,” introduces his big brother (“God’s Gift to Girls”), who later has a scary brush with death, watches his grandmother plant tulip bulbs “in that dirty confusion/of bulb and knuckle,/knuckle and bulb,” observes several relatives at a huge family reunion, tracks his mother’s pregnancy, and, after his sister is born, finds pleasure in “Being A Middle Child,” too. In easygoing free verse that hides no meanings behind oblique imagery or language, Fletcher (Ordinary Things, 1997, etc.) creates a close-knit, recognizable cast; Krudop’s small pen-and-ink still lifes of food and common household items evoke an air of intimate, everyday domesticity. Children will enjoy reading or listening to these linked episodes of high drama, low comedy, and comforting human contact. (Poetry. 8-10)
Pub Date: April 1, 1999
ISBN: 0-531-30141-9
Page Count: 48
Publisher: Orchard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
Some silly variations on the fates of familiar nursery rhyme characters add cheap laughs to traditional Mother Goose tales. Greenberg proposes that after Humpty’s great fall, he almost became a giant omelet, but was accidentally splattered on the kitchen wall instead. Mother Goose and her gander “both went/up to heaven/After colliding with a/747!” Peter Pumpkin Eater’s wife gets her revenge by sticking her husband in a loaf of bread. Sending up Mother Goose can be rewarding, but it’s never easy; the author, with little of the grace or beat of the originals, twists many tales with trendy, explicitly gross humor, e.g., Jack Spratt and his wife lick not only the platter clean, but a city bus, the dog’s nose, and a garbage truck. The illustrations, despite their giddiness, have a decidedly old-fashioned feel, demonstrating Schindler’s facility with nursery rhyme characterizations in finely inked cross-hatchings. (Picture book. 4-9)
Pub Date: April 1, 1999
ISBN: 0-316-32767-0
Page Count: 32
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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