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THE PARIS LIBRARY

A novel tailor-made for those who cherish books and libraries.

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World War II Paris during the German occupation forms the setting for an intelligent and sensuously rich novel of a young woman's coming-of-age.

In 1939, Odile Souchet, the daughter of the captain of a police precinct, has just finished library school. She lands her dream job assisting patrons of the American Library, which serves both foreigners and Parisians, and falls in love with one of the police officers her father brings home for dinner. As the war proceeds and the Nazis take over the city, she fears for her twin brother, who has been captured by the Germans, places herself in danger by transporting books to Jewish patrons who are forbidden to visit the library, and begins to question some of her boyfriend's actions. Her story is juxtaposed with that of a teenager named Lily who, in 1983, lives in a small rural town in Montana. When Lily's mother becomes ill, Lily grows close to her previously frosty next-door neighbor Odile, who moved to Montana as a bride immediately after the war ended. While the chapters featuring Lily are snappy and often amusing, especially as she begins to adopt Parisian airs, they play a distinctly secondary role to those concerning Odile's life during the war. Structurally, the novel sometimes sags: Charles tends to move into the points of view of secondary characters, which leads to some repetition. But the author has a clear affection for both Paris and the American Library, where she worked as a programs manager in 2010, and she integrates the stories of many of the real-life employees and patrons of the library into the story with finesse, earning the novel its own place in the pantheon of World War II fiction.

A novel tailor-made for those who cherish books and libraries.

Pub Date: Feb. 2, 2021

ISBN: 978-1-9821-3419-8

Page Count: 368

Publisher: Atria

Review Posted Online: March 28, 2020

Kirkus Reviews Issue: April 15, 2020

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THE FIVE-STAR WEEKEND

The people in her books may screw up, but Hilderbrand always gets it right. Kind of amazing.

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A dreamy Nantucket house party given by a meticulous hostess goes off the rails.

“When Hollis posts a potato and white cheddar tart with a crispy bacon crust, her foodie community breaks the one-million-member milestone. (Leave it to bacon!)” And leave it to Hilderbrand, in her 30th book of Nantucket-based fiction, to cook up more literary bacon, this time focusing on female friendship, female “friendship,” and the power of the internet and social media. When Hollis Shaw's doctor husband dies in a crash on the way to the airport, she steps back from Hungry With Hollis, her popular website. After moping around her house in “Swellesley” for a while, she returns to Nantucket for the summer, planning a kick-out-the-stops weekend party that will involve one girlfriend from each phase of her life—youth, college, motherhood—plus her favorite internet follower, an Atlanta-based airline pilot, whom she's never actually met. Two of these old pals are definitely not as close to Hollis as they once were, one of them has done her secret harm, and Hollis dramatically increases the potential for trouble by paying her angry 20-something daughter to document the weekend on film. Add two bottles each of Casa Dragones tequila, Triple 8 vodka, and Veuve Clicquot, plus some Hendricks gin and Mount Gay rum—what could possibly go wrong? Known for gently inserting social commentary into her plots, Hilderbrand here highlights the ridiculous fickleness of cancel culture when one of the characters—Dru-Ann, an extremely successful Black sports agent—almost loses her clients, her job, and her boyfriend when a video clip of a private conversation in a restaurant is posted on social media. Everyone says there's no way forward without a self-effacing apology. Dru-Ann says pass the Casa Dragones. Meanwhile, Hollis is about to learn that friendships forged on the internet are not always what they seem. Hilderbrand has announced plans to retire in 2024. Wait—that's next year! No!

The people in her books may screw up, but Hilderbrand always gets it right. Kind of amazing.

Pub Date: June 13, 2023

ISBN: 9780316258777

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Feb. 7, 2023

Kirkus Reviews Issue: March 1, 2023

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THE MOST FUN WE EVER HAD

Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...

Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.

Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.

Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.

Pub Date: June 25, 2019

ISBN: 978-0-385-54425-2

Page Count: 544

Publisher: Doubleday

Review Posted Online: March 3, 2019

Kirkus Reviews Issue: March 15, 2019

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