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THE NOISES FROM THE ZOO

AND OTHER STORIES

By the English author of The Italian Lesson (1987), Dr. Gruber's Daughter (1988), and many others, 23 brief stories that again sound Elliott's playful-to-melancholy involvement with metaphysical matters, such as the various faces of time and identity, reality and fiction—tales in which ``one world nudges another.'' Elliott's characters—worrying storytellers, isolates dropping like stones through warm domestic waters, aesthetes hunting perfection, etc.—riffle through identities and landscapes, real or imagined, like playing cards. In ``Silence,'' a woman burrows inside imagined lives until a malevolent reality hits her isolating window. In ``Figments,'' a fictional daughter's life pulses along near her writer/mother until the writer ends the world. Other pieces deal with final wastelands. In ``No Man's Land,'' a couple exists in ``the last hotel'' in the Middle East, as sands and history lap in waves until the last light blinks out. Message looms heavily over the title story, in which a man digs a hole—for no reason—and it becomes a pit of death and malice or maybe a pond (``you could make anything you like of it''), while captive animals in the nearby zoo make ``moans of complaint...and wild laughter.'' Then there are the perfection seekers: one love affair is at an end because the lover, instead of dying beautifully, was run over by a bus. In ``The Perfectionist,'' an exquisite spouse redeems the perfect marriage by having a rare ``collector's piece'' of a disease. There are also wry, amusing tales of dropouts who simply take to bed: one has a brief, fruitful run as a saint; another makes a killing on his journal. Perhaps the most wicked story concerns ``The Interior of Henry''—an interior designer, bent on matching interiors to the client, finds one man's true vocation. In ``Body and Soul,'' two fat gourmets strive for marital equilibrium. Beautifully styled, fanciful stories, a shade bloodless but certainly entertaining.

Pub Date: Oct. 15, 1992

ISBN: 0-340-53162-2

Page Count: 189

Publisher: Hodder & Stoughton/Trafalgar

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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