For those hoping to raise self-reliant children, Katie's parents make fine role models: Katie's mom lets her pour the milk, then—after she spills it—quietly hands her a sponge and paper towels (the latter are not environmentally correct); Dad lets her hold the hose and only laughs and shows her how to turn off the water when he gets wet. After Katie has maintained self- esteem through each mishap by helping to repair the damage (albeit with limited success—Band-Aids are stuck everywhere and her rewound yarn is more a tangle than a ball), Mom accedes to one last demand: the tot arranges her own blanket, half off the bed but ``all by herself.'' This cheery take on a typical two- year-old syndrome may be most entertaining to children who have recently moved beyond it. Paterson's buoyant illustrations, in which the mayhem Katie creates and various patient observers (including a dog and cat) are contained tidily on square, bordered pages, wonderfully extend the humor and the message of acceptance of a small child's first efforts toward independence. (Picture book. 2-5)
Pub Date: March 1, 1994
ISBN: 0-02-735827-5
Page Count: 32
Publisher: N/A
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Feb. 15, 1994
Categories: CHILDREN'S GENERAL CHILDREN'S
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Today Carmelita visits her Abuela Rosa, but to get there she must walk. Down Ninth Avenue she strolls with her mother and dog. Colorful shops and congenial neighbors greet them along the way, and at each stop Carmelita says hello—in Spanish, Arabic, Hebrew and more. With a friendly “Jambo” for Joseph, a “Bonjour” at the bakery and an affectionate “Hey” for Max and Angel, the pig-tailed girl happily exercises her burgeoning multilingual skills. Her world is a vibrant community, where neighborliness, camaraderie and culture are celebrated. Isadora’s collaged artwork, reminiscent of Ezra Jack Keats, contains lovely edges and imperfections, which abet the feeling of an urban environment. Skillfully, she draws with her scissors, the cut-paper elements acting as her line work. Everything has a texture and surface, and with almost no solid colors, the city street is realized as a real, organic place. Readers will fall for the sociable Carmelita as they proudly learn a range of salutations, and the artist’s rich environment, packed with hidden details and charming animals, will delight readers with each return visit. Simply enchanting. (Picture book. 3-5)
Pub Date: April 1, 2010
ISBN: 978-0-399-25230-3
Page Count: 32
Publisher: Putnam
Review Posted Online: Dec. 23, 2010
Kirkus Reviews Issue: March 1, 2010
Categories: CHILDREN'S GENERAL CHILDREN'S
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BOOK REVIEW
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A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.
Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?
One of those rare thrillers whose answers are even more scarifying than its mysteries.Pub Date: Nov. 10, 2020
ISBN: 978-1-64385-470-0
Page Count: 310
Publisher: Crooked Lane
Review Posted Online: Aug. 19, 2020
Kirkus Reviews Issue: Sept. 1, 2020
Categories: GENERAL MYSTERY & DETECTIVE | SUSPENSE | SUSPENSE | THRILLER | GENERAL & DOMESTIC THRILLER | GENERAL THRILLER & SUSPENSE
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By turning these stiff, die-cut pages, even very young children can assemble a green monster with "two big yellow eyes...a long blue nose...[and] a big red mouth with sharp white teeth..." and then make it go away again, feature by feature. Emberley, a Caldecott medalist whose delightful drawing books demonstrate a combination of rudimentary forms to create a world of images, uses simple shapes in bright colors to build a scowling, cartoonish face that seems to float against the solid black field- -scary, but deliciously so. A satisfying game that may also allay some nighttime fears. (Picture book. 2-5)
Pub Date: April 1, 1993
ISBN: 0-316-23653-5
Page Count: 32
Publisher: Little, Brown
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 15, 1993
Categories: CHILDREN'S GENERAL CHILDREN'S
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