CELEBRATE! IT’S CINCO DE MAYO!/¡CELEBREMOS! ¡ES EL CINCO DE MAYO!

Levy’s central text combines a celebration of Cinco de Mayo with a brief recounting of the date’s significance: the Mexican army’s victory in 1862 over an invading French force. The celebration includes a parade, with Aztec elements featured prominently, a performance of mariachi music, a family meal, dancing and the breaking of the piñata, along with Abuelito (Grandpa) telling the story of the Battle of Puebla. But Celebrate! is an activity book too. After her main narrative, Levy repeats several of the story’s illustrations, leaving out an important element in each and asking the young reader to point out what is missing. The final pages include instructions in making a maraca and a serape, and a slightly longer recounting of the history of the Battle of Puebla. The text is in both English and Spanish throughout, and Lopez’s illustrations are bright, lovely and full of details—the Aztec eagle and snake (now part of Mexico’s flag), the buttons on the sleeves of the mariachi players’ jackets, the multicolored hems of the dancers’ skirts. Perfectly targeted at young listeners and readers who may have been celebrating Mexico’s favorite national holiday without knowing why. (Picture book. 4-7)

Pub Date: March 1, 2007

ISBN: 0-8075-1176-5

Page Count: 32

Publisher: Whitman

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2007

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A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.

THE SCARECROW

Ferry and the Fans portray a popular seasonal character’s unlikely friendship.

Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.

A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)

Pub Date: Sept. 3, 2019

ISBN: 978-0-06-247576-3

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: May 8, 2019

Kirkus Reviews Issue: June 1, 2019

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Kids may choose differently at the pumpkin patch after reading this tale, though any deeper message may be lost on them.

STUMPKIN

A stemless pumpkin who isn’t chosen gets the best Halloween of all.

On the shelves outside a shop in a busy city, a shopkeeper makes a display of orange pumpkins and a single yellow gourd. They are all sizes and shapes and have lovely stems, save for one. Poor Stumpkin worries that, despite his good qualities, his stemlessness will prevent him from becoming a jack-o’-lantern like all the other pumpkins that go home with customers to decorate the windows across the street. On Halloween night, he alone is left (even the gourd went home with someone!). So the shopkeeper scoops him up. The spreads that follow are marvelous, wordless creations that will delight young readers: A black spread is followed by one with an orange-rimmed white triangle on the verso, then one with similar triangles on both pages. “Stumpkin wouldn’t be getting a window. And he wouldn’t be getting a new home. // He already had a home.” The final page shows Stumpkin as a jack-o’-lantern back on the shelves with the shopkeeper’s friendly black cat. Though undoubtedly feel-good, the book may leave readers wondering exactly what it’s saying about Stumpkin’s physical irregularity—is it some kind of disability metaphor? The city sights, people, and animals other than the cat are all black silhouettes, keeping the focus on Stumpkin.

Kids may choose differently at the pumpkin patch after reading this tale, though any deeper message may be lost on them. (Picture book. 4-7)

Pub Date: July 24, 2018

ISBN: 978-1-5344-1362-7

Page Count: 56

Publisher: Atheneum

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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