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THOMAS THE TOADILLY TERRIBLE BULLY

Like Thomas himself, Levy seems intent on sabotaging her own effort to connect and find a warm welcome.

The serious topic of bullying gets a light treatment in this tale of limited social skills and accidental friendship.

The brisk introduction of Thomas, a newcomer to town, may leave readers, like his new acquaintances, cold. Cocky, pushy and clearly impatient, Thomas quickly decides that if his first approach doesn’t work, he’ll “be a bully instead.” Unfortunately, he’s just not cut out for the role. In what feels like an almost obligatory humorous pose, Thomas is shown peering into a mirror wearing only his tighty whities and bemoaning his flabby abs. Frustrated and determined, Thomas waits for someone truly puny to pick on only to discover that another, much bigger bully has gotten there first. Put into the position of defending young Gomer (and himself), Thomas thinks fast and deflects the danger. Paintings in acrylics on gessoed paper have a pleasingly textural look, well-suited to the warty characters and woodland setting. Bright pops of blue, purple and red contrast with the mossy greens and browns that dominate many of the illustrations. The appearance of a bug-eyed fly throughout provides additional interest. Unfortunately, none of this quite manages to compensate for the slim storyline and pat resolution.

Like Thomas himself, Levy seems intent on sabotaging her own effort to connect and find a warm welcome. (Picture book. 4-7)

Pub Date: Feb. 5, 2014

ISBN: 978-0-8028-5373-8

Page Count: 34

Publisher: Eerdmans

Review Posted Online: Nov. 30, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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RUBY FINDS A WORRY

From the Big Bright Feelings series

A valuable asset to the library of a child who experiences anxiety and a great book to get children talking about their...

Ruby is an adventurous and happy child until the day she discovers a Worry.

Ruby barely sees the Worry—depicted as a blob of yellow with a frowny unibrow—at first, but as it hovers, the more she notices it and the larger it grows. The longer Ruby is affected by this Worry, the fewer colors appear on the page. Though she tries not to pay attention to the Worry, which no one else can see, ignoring it prevents her from enjoying the things that she once loved. Her constant anxiety about the Worry causes the bright yellow blob to crowd Ruby’s everyday life, which by this point is nearly all washes of gray and white. But at the playground, Ruby sees a boy sitting on a bench with a growing sky-blue Worry of his own. When she invites the boy to talk, his Worry begins to shrink—and when Ruby talks about her own Worry, it also grows smaller. By the book’s conclusion, Ruby learns to control her Worry by talking about what worries her, a priceless lesson for any child—or adult—conveyed in a beautifully child-friendly manner. Ruby presents black, with hair in cornrows and two big afro-puff pigtails, while the boy has pale skin and spiky black hair.

A valuable asset to the library of a child who experiences anxiety and a great book to get children talking about their feelings (. (Picture book. 4-6)

Pub Date: Sept. 3, 2019

ISBN: 978-1-5476-0237-7

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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