EVERYTHING THE LIGHT TOUCHES

Across centuries and continents, this novel explores questions of self-discovery, botany, empire, and the limits of knowledge, with a trace of romance.

This novel—the first by Indian writer Pariat to be published in the U.S.—travels between present-day India and 18th-century Europe through the viewpoints of four characters. Shai, a young woman in India, wants to see her sick childhood nanny and so leaves her city life behind for a remote village that has connections to a vanished nomadic past and is currently suffering from the consequences of illegal uranium mining. Evelyn is an eager Cambridge graduate in the 1910s committed to Goethe’s botanical writings and his belief in a plant that is a blueprint for all plants. She believes such a plant might exist in India and is cared for by nomads, spurring her to travel into the Lower Himalayas in the waning decades of the British Empire. Goethe is traveling through Italy in the 1780s, pursuing his botanical theories that will result in The Metamorphosis of Plants. Linnaeus is at the center of the book, with a poetical travelogue of his journey to Lapland in 1732. The book asks how we see the world—through an organized system, like how Linnaeus classified the plant world, or through a sense of connection and unity, like how Goethe describes plant life in The Metamorphosis of Plants. It can be hard for the reader to follow the thread between each character and feel satisfied with the space each has been given; Goethe’s sections in particular feel like more of a digression and pull away from the more engaging storylines of Shai and Evelyn.

Readers interested in historical fiction may want to check this out while noting that not all chapters are equally engaging.