Next book

THE EXPATRIATES

A richly detailed novel that rubs away at the luster of expat life and examines how the bonds of motherhood or, really,...

In Lee’s second novel after the bestselling The Piano Teacher (2009), Hong Kong sets the stage for stories of expatriation, cultural divide, and, most strikingly, the varying ways in which grief causes isolation, as seen through three connected women.

“You can survive a tragedy, given time,” thinks Mercy, a mid-20s Korean-American Columbia graduate who moved to Hong Kong for a fresh start after years of being unlucky in life. Unfortunately, a change in scenery doesn’t cause much of a change in her happiness; desperate for a job, she agrees to accompany a wealthy American couple and their three children on a trip to Korea, where a terrible “incident” involving one of the children—that's what everyone chooses to call it, hardly capable of being direct—occurs and she is deemed responsible. The novel begins nearly a year later, a year during which grief has settled in Mercy’s core, as well as in Margaret Reade’s, the beautiful family matriarch who hired Mercy. As Mercy “wonders when she’s supposed to start her life again, when she is allowed,” Margaret is dealing with similar feelings—“she cannot live. She cannot not live”—and yet the two women are completely isolated from one another and from their community of expats, whose beautiful families and lavish lifestyles now seem unreal, untouchable. Lee’s portrayal of Margaret’s grief is the most powerful; the quiet, daily suffering of a mother who’s experienced unspeakable loss is profound: “she is aware of a black hole that she must avoid at all costs. She is teetering at the edge of it, peering down.” The women’s isolation is mirrored in Hong Kong’s expat culture, which Lee describes in full-bodied detail, a culture painted in rich, tropical color—but only on the surface. A third woman, Hilary, is also connected to this story, but less intensely, and her experience with grief and isolation—while relatable—pales in comparison to Margaret’s, as well as to Mercy’s level of disassociation. An unfortunate side effect of unraveling tragedy is that these characters are lost in reflection, and so there's not much present action and the narrative is often lacking immediacy. Some plot threads beg for more conflict, others are simply forgotten—this book gets lost in thought.

A richly detailed novel that rubs away at the luster of expat life and examines how the bonds of motherhood or, really, womanhood, can call back even those who are furthest adrift. 

Pub Date: Jan. 12, 2016

ISBN: 978-0-525-42947-0

Page Count: 336

Publisher: Viking

Review Posted Online: Nov. 4, 2015

Kirkus Reviews Issue: Nov. 15, 2015

Categories:
Next book

SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

Categories:
Next book

LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

Categories:
Close Quickview