by Janis Ahlenberg ‧ RELEASE DATE: Jan. 23, 2019
A beautifully told recollection that’s full of introspection and wisdom.
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Ahlenberg recounts the event that transformed her young life—the birth of triplet siblings—and her attempt, as an adult, to come to terms with a waylaid childhood.
In this debut memoir, the author tenderly remembers her early childhood when it was just her parents, Horace and Lorraine, and her younger brother by seven years, Steve. During those “tranquil times,” she says, they all enjoyed “simple travels and adventures.” However, after Lorraine gave birth to three babies, “the towheaded identical girls and the little redheaded boy”—named Marisol, Margo, and Max—everything changed. Indeed, the transformation of the young author’s life started even before her three siblings were born; after Lorraine realized that she was carrying triplets, she informed the young girl—who was only 12 years old at the time—that she was now essentially on her own and expected to raise herself. It turned out that all three newborns required expensive medical care, and their father was in a terrible car crash and later struggled with mental illness—all of which proved to be devastating drains on the family’s already precarious finances. The triplets demanded constant attention, partially due to mental health issues that worsened during their teenage years but also because their parents ceaselessly spoiled them, according to the author. Ahlenberg says that she left home at 18 in order to escape an increasingly chaotic and lonely environment. Her parents refused to pay for her college education, and a “ten-year rift” ensued. The author movingly describes her later attempt to come home and reconcile with her parents and to recapture the life she once enjoyed with them; she also effectively relates her heartbreaking frustration when she realized that she wouldn’t get that satisfaction: “I’m not going to get the answers I came for.” Overall, Ahlenberg’s remembrance is emotional, deeply thoughtful, and impressively forthcoming. At its best, her prose is poetic in tone, poignantly conveying her profound pain: “My sadness hardened and gathered moss with time and seeped darkly into my bones—a quiet storm that just held steady in my soul, which I’ve gone on weathering every day.” Despite the depths of her frustration, she comes to the conclusion that there’s no obvious villain to blame—hers is a “genuine sorrow over a tragedy that is no one’s fault.” Nonetheless, she frequently and candidly shares her bottomless exasperation with the three siblings who altered her life, asserting that, even as adults, they live in a state of “pure infantile narcissism.” Ahlenberg started a life of her own after leaving home and became, like her brother Steve, an “educated citizen of the world”; she went on to become a wife, a mother, and a practicing psychotherapist. But in the wake of her divorce, she made the aforementioned return home to her parents, which she shares sensitively, without any expressions of cynicism or contempt. Ahlenberg’s personal story is novelistic in its psychological complexity and as gripping as dramatic fiction.
A beautifully told recollection that’s full of introspection and wisdom.Pub Date: Jan. 23, 2019
ISBN: 978-1-73284-620-3
Page Count: 352
Publisher: Sky Street Press
Review Posted Online: Nov. 18, 2019
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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