Though her story and characters are both sometimes labored and her writing stilted, there’s a lot to admire in the...
Ambitious first novel examines the power of faith—and its dangers.
Chester, a former English Lit Ph.D. with mental problems, is a homeless person in a town that’s probably Boulder. One morning, he has a vision that Francesca, a 14-year-old girl who helps serve the homeless free meals at her neighbor Ronnie’s café, is the Holy Virgin. Chester decides that he is to be her protector. Francesca, beautiful but going through a troubled patch of adolescence since her parents’ divorce, is in fact afraid she might be pregnant, although the sexual encounter she had remains ambiguous. After an incident at the café, word spreads among the homeless that Francesca has holy healing powers. Her distracted mother Anne, a paleobotanist with no use for the leap of faith required for religious belief, conveniently leaves town for a dig while Francesca, staying with Ronnie, becomes increasingly known as a miracle worker. By the time Anne returns, the cult around Francesca has become a media event, inflamed by Ronnie’s sister Rae, a professional seeker (we all know the type), and Francesca’s friend Sid, who is secretly selling Francesca-relics. Anne is slow to realize that Francesca has in fact begun to believe in her own powers, to enjoy the role of Virgin thrust upon her, and to act as a pretty credible miracle worker. People believe they are changed after contact with her. By setting up the possibility of miracles occurring while also leaving a trail of rational explanation, Hallowell challenges the reader to think in new ways about how belief evolves and how it affects actions. In the end, Francesca is not pregnant and, at a crucial moment, is unable to heal. But the question lingers whether her temporary divinity was real to those who believed.
Though her story and characters are both sometimes labored and her writing stilted, there’s a lot to admire in the complexity of the issues Hallowell raises—and in her lack of easy answers.Pub Date: March 2, 2004
ISBN: 0-06-055919-5
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2004
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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