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THE END OF THE WORLD NOTWITHSTANDING

STORIES I LIVED TO TELL

Wonderfully detailed, every word the right word, this book is a genuine keeper.

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This slim collection, a tour de force of circumbendibus, blends memoir, reflective essay, and even travelogue.

Goodwin, a professor of communication at Regis University in Denver, has had a very interesting life. Besides being an academic, she is also an actor and a playwright (some of these anecdotes were written for her stage monologues). Here she covers rural getaways (heightened by wildfires), the perils of housesitting with a borderline feral cat, getting by on the razor edge of flat broke, the Paris catacombs, really strange dreams, neighborhood weirdos, looming tornadoes, panic attacks, the mysteries of the inner ear, sexual misadventures, epiphanies at the Grand Canyon, and much more, all accompanied by often snarky footnotes and small (understated) illustrations. Goodwin isn’t just humorous, but witty. At one point, she tries to enlarge a map in an old book by stretching her fingers out over it, adding, “the page must have been broken.” One long essay, “The Wolf and Me,” deals with those sexual misadventures, and it is where the word circumbendibusis found wonderfully illustrated. The account of a snowmobile ride behind a cute boy is interrupted, time and again, by many painful memories, including early gropings, an attempted rape by “Shmed Smenedy,” and, before that, an actual rape while drugged. This woman, Lord knows, is a survivor, and a tough one. It’s hard to explain, but somehow Goodwin finally gets us back to her ride on that snowmobile with that cute boy who did not try to assault her. The contrast is so stark, the leap from the predatory back to the innocent (he stopped in the woods just to sneak a cigarette) so stark, we are stunned. And relieved, even if the awfulness cannot be wholly exorcised. Goodwin has David Sedaris’ talent of turning on a dime from the truly hilarious to the thoughtful and poignant, helping us to learn new truths.

Wonderfully detailed, every word the right word, this book is a genuine keeper.

Pub Date: April 13, 2021

ISBN: 978-1-60952-201-8

Page Count: 200

Publisher: Travelers' Tales

Review Posted Online: March 1, 2021

Kirkus Reviews Issue: May 1, 2021

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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