Kirkus Reviews QR Code


Mississippi Headlights

by Jason Akley

Pub Date: April 18th, 2011
ISBN: 978-1432773533
Publisher: Outskirts

A compilation of genre-spanning short works with behind-the-scenes style nonfictional interludes that chronicle an author’s struggle with drugs, debt and family.

This uniquely structured collection attempts to pull back the curtain on the writing process, using the author’s real-life accounts of working on the individual pieces while dealing with square jobs, family troubles, self-doubt and other demons. In Akley’s (Sweet Pea and the Bumblebee, 2007) world, the biggest monkey on his back is marijuana, along with all the hassles that come with the habit, and his dependency has lead him to as many interesting tales and inconveniences as his other obsession—writing—has. In between children’s stories, miniplays, poetry and prose come glimpses of the numerous hardships, locations and characters that have influenced these works, the collected accounts of a freelance lab technician just trying to make an honest living while publishing his stories and trying to score his next ounce. The book suggests a larger narrative will appear where fact meets fiction, but this ultimately fails, leaving the reader with disparate stories loosely connected by bits of memoir. The short pieces stand fine on their own— “Sweet Pea and the Bumblebee” and “The Candlestick,” both children’s tales, explore similar questions of identity but in different ways—while the bulk of novel’s poetry captures a muted sense of longing, even when just engaging in simple, fun observations. Of the prose, “Repentance” is the standout; replete with vivid imagery, it’s most notable for the subdued, nonjudgmental way it depicts personal interactions, featuring people struggling to make bad decisions that regrettably might be the best ones they can make. Themes like relevance, selfishness and self-interest reoccur throughout, even in the nonfiction passages, but like the book’s multiple religious musings and pop culture references, these feel like window dressings, adding little and rarely explored or expounded upon, just filling space, or in the case of the poems, metered time.

An adequate collection of short stories and poetry, but the author’s commentary doesn't connect the parts into a cohesive narrative.