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THE PRESERVATIONISTS

A messy love story packed with nostalgia.

A teenager moves from a run-down, coal mining town to an artistic haven in this debut novel.

Eighteen-year-old Daniel McHale is just about to graduate from high school when tragedy strikes: His single mother suddenly dies, leaving him and his twin brother, Dustin, uncertain about their futures. Daniel, the dreamier of the two, confides in Jane Hatfield, the owner of the local bookstore, who tells him that if he wants to make anything of himself, he needs to leave town. Luckily, she has a friend who rears horses in the city of Jenningsburg who’s looking for a hired hand. Soon Daniel is off to a new life of hard but fulfilling labor for tough, good-natured Kathy Delaney, who moonlights as an artist and helps nurture his love for antiques and historic buildings. Everything changes, though, when Daniel meets Amelia Branagan, a violist in a Celtic band who visits Jenningsburg every summer: “He knew this one was special. He wasn’t sure why yet, he just knew his soul was singing, his heart was tingling, and his stomach was alive with hundreds of butterflies dancing about.” Daniel and Amelia begin spending their weekends together, going on long hikes to waterfalls and taking a historic, steam-powered train to a restored Shaker village. Before Amelia leaves to go on tour, Daniel works up the courage to confess his love to her. But she demurs, unwilling to enter a long-distance relationship. When she returns a year later, will Daniel convince her that she’s truly “the woman of his dreams”? This heartfelt novel’s strong beliefs in the ways of the past, devoted love, and the beauties of nature are quite admirable. But Daniels’ tale, which offers two artistic protagonists, sometimes suffers from blandness and clichés, both in its main romantic plot (“Amelia’s voice was like the choir of 100 angels. Looking into her eyes was like looking at the stars”) and in the bizarre woodenness of its descriptions: “His face was slender, his nose wasn’t large, but it was bigger than the national average for a man of his age and race.” And just as the town Daniel grows up in has very few redeeming qualities, his experiences in Jenningsburg are so hyperbolically positive (“enchanting,” “magical,” “poetry would be written about it”) that the effect at times becomes numbing.

A messy love story packed with nostalgia.

Pub Date: May 31, 2018

ISBN: 978-1-68433-054-6

Page Count: 270

Publisher: Black Rose Writing

Review Posted Online: May 15, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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