A saucy and ultimately heartwarming tale set in the cutthroat world of high-stakes modeling.
A debut novel presents an insider’s view of the professional modeling circuit.
Godfrey’s tale stars male model Colin Bryce Hamilton, who has been in the business five years when he suffers a comedic injury to the only part of his anatomy he’s never shown on a runway. Suddenly he’s dropped by his agency and shaken to his core, flashing back to his earliest days working the Milan fashion shows without knowing what he was doing. “A typical day had me casting with Dolce & Gabbana, cat-walking for Armani and posing for Fendi,” he recalls. “After a month of watching sunglasses-wearing clients flip through my book like it was the Yellow Pages, I didn’t get a single job.” As Colin’s life quickly and systematically falls apart (his conniving friends begin to get the modeling jobs he covets; his love life hits the doldrums; etc.), things are made worse by his sister Jasmine’s announcement that she intends to enter the same modeling world that has recently chewed him up and spat him out. Godfrey portrays Colin as affable, funny, and believably callow (“How many glasses of wine does it take to turn a six-foot Russian girl into a destructive whirlwind of lust?” he muses at one point. “No more than four. I counted”), which makes the experience of seeing him put in a crucible oddly intriguing. The narrative is steeped in the narcissistic realities of the modeling world, but those truths are delivered, usually by Colin directly, in the form of sardonic zingers: “There are few problems in modelling that can’t be solved by a body fat percentage below five.” Yet the characters, from rival models to groupies to shady event coordinators, are textured with authenticity. The twin drives of Colin’s own story—to get his life back on track and to protect his sister from ruining hers—are all the more winning for the hero’s feet of clay.
A saucy and ultimately heartwarming tale set in the cutthroat world of high-stakes modeling.Pub Date: May 10, 2018
ISBN: 978-1-974192-57-1
Page Count: 272
Publisher: CreateSpace
Review Posted Online: July 14, 2018
Kirkus Reviews Issue: Sept. 1, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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