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DANCING IN THE GLORY OF MONSTERS

THE COLLAPSE OF THE CONGO AND THE GREAT WAR IN AFRICA

An important examination of a social disaster that seems both politically complex and cruelly senseless.

Impressively controlled account of the devastating Congo war, which has caused more than 5 million deaths.

Stearns, who in 2008 led a special UN investigation regarding the region’s violence, argues that the war “had no one cause, no clear conceptual essence that can be easily distilled in a couple of paragraphs.” While he agrees that the 1994 Rwandan genocide provided the war’s genesis, he argues that a less-understood factor was the experience of the Banyamulenge, a Tutsi group that emigrated to the Congo long before and suffered persecution ever since. The Congo was first invaded in 1996, when Laurent Kabila deposed Mobutu, but the wider war began in 1998, between disparate coalitions: Kabila’s army and Hutu militias on one side, and the Rwandan military and their allies on another. “The war scuttled all plans for long-term reform and prompted quick fixes that only further debilitated the state,” writes Stearns. The author illuminates the tangled relationships between Kabila, Rwandan Tutsi leader Paul Kagame and many other players as few journalists have. The book’s greatest strength is the eyewitness dialogue; Stearns discusses his encounters with everyone from major military figures to residents of remote villages (he was occasionally suspected of being a CIA spy). He reveals the bravery and suffering of ordinary Africans, while underscoring “how deeply entrenched in society the Congolese crisis had become.” As the chronology moves into the previous decade, his tale becomes increasingly complex and disturbing. Regional proxy wars involving rebel offshoots and tribal militia groups spun out of control, intensifying violence against civilians. Kabila was assassinated in 2001, possibly due to grudges held by angry child soldiers backed by Rwanda, and replaced by his son, who pursued a tenuous peace marred by continued economic stagnation and chaos. By that time, the belligerent nations “had over a dozen rebel proxies or allies battling each other.”

An important examination of a social disaster that seems both politically complex and cruelly senseless.

Pub Date: March 29, 2011

ISBN: 978-1-58648-929-8

Page Count: 400

Publisher: PublicAffairs

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: Feb. 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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