A few promising, even brilliant bits are lost in an ill-constructed jumble of warring plotlines and ambiguous agendas.
As fleets of hostile warships gather over a floating city, a young thief finds himself the object of an urgent manhunt.
Readers can be excused for coming away bewildered by Sheehan’s competing storylines, disconnected events, genre-bending revelations, and refusal to fit any of the major players in the all-White–presenting cast consistently into the roles of villain, ally, or even protagonist. Continually shifting through points of view and annoyingly punctuated with an omniscient narrator’s portentous commentary, the tale centers on the exploits of 12-year-old street urchin Milo Quick and his squad of juvenile ragamuffins (seemingly juvenile at any rate; one is eventually revealed to be something else entirely) in an aerial city of Dickensian squalor threatened by a multinational flying armada. Though a lot of people are after Milo, ranging from the swashbuckling crew of a flying privateer hired (ostensibly) to kidnap him and a vengeful punk bent on bloody murder to a sinister truant officer paid lavishly by mysterious parties to watch over him, he ultimately winds up—or so it seems—being no more than a red herring all along. The actual target is revealed piecemeal in conversations and flashbacks before the commencement of a climactic bombardment and an abrupt cutoff in which three side characters, miraculously shrugging off multiple knife and bullet wounds, themselves suddenly take center stage to set up a sequel.
A few promising, even brilliant bits are lost in an ill-constructed jumble of warring plotlines and ambiguous agendas. (Science fiction. 11-14)Pub Date: March 15, 2022
ISBN: 978-0-593-10951-9
Page Count: 400
Publisher: Dutton
Review Posted Online: Dec. 23, 2021
Kirkus Reviews Issue: Jan. 15, 2022
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
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BOOK TO SCREEN
A sly, side-splitting hoot from start to finish.
The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.
Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)
A sly, side-splitting hoot from start to finish. (Adventure. 11-13)Pub Date: April 12, 2016
ISBN: 978-0-06-234510-3
Page Count: 352
Publisher: Walden Pond Press/HarperCollins
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
BOOK REVIEW
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