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IN TIME FOR REVENGE

A diverting, futuristic, cyber-edged thriller that delivers thoughtful aspects as well as bang-’em-up action.

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A wealthy inventor—framed for murder—decides to use his time machine to seek justice, jumping forward nearly a century to a dystopic America. 

Prolific author Scott (Into the Unknown, 2019, etc.) constructs a time-travel SF thriller with the qualifier that the machine is created to go forward, not backward—it’s more like a teleporting time capsule. It is the invention, in 2020, of the Bruce Wayne-esque Colorado billionaire Byron Gaines, who wants to market his brainstorm as a boon to the terminally ill (or the incurably curious). People can enter it and leap across decades into the future, where new medicines or health care treatments await, or so they can just see and enjoy whatever tomorrow holds. But Gaines is married to Alison, a young, ambitious model, and as the project nears completion, issues of money and trust ruin their relationship. After he catches Alison and his lead engineer, Grant Coleman, in bed together, Gaines wakes to find himself covered in blood, apparently having murdered them in delirium. With a faithful, Alfred-style butler looking after his interests, Gaines starts serving a lengthy prison term—only to realize belatedly that he’s been framed, and those who betrayed him have taken the time device into the future to exploit it for themselves after things settle down. Not without his own resources, Gaines leapfrogs nearly a century after them, into a technologically advanced (but not for the better) America, where religious terrorists, implanted identity chips, and fearsome security robots are standard features of the surveillance state. Gaines has to adapt if he wants his plan for vengeance to succeed. Moreover, he knows that his adversaries have probably anticipated his pursuit and will have taken their own steps against him. But even he doesn’t realize the truth. A writer more concerned with seriously messing up readers’ psyches—Philip K. Dick inevitably comes to mind—might have played around with the paranoid cyberpunk settings. In this milieu of multiple conspiracies, high-tech disguises and near-human androids and simulacra scramble identities and hardly anything (or anybody) is what it seems. But Scott calls his book “A Sci-Fi Murder Mystery” and sticks mostly to the thrill ride agenda. He does have his hero occasionally consider the moral cost and justification of what he is undertaking just to settle scores. And—in between robo/mecha fights and subterfuges—Gaines grows emotionally and even a bit spiritually along the way. A religious undertone lingers around the margins (future faith-based folks interpret government ID chip implants as the biblical mark of Satan and become insular “Fundys” confined to their own ghettos). But the author keeps the preaching to a minimum, and his first-person narrator/hero tends to be hard-nosed and skeptical most of the time. Meanwhile, the extrapolated worst-nightmare scenarios of a Homeland Security-type staff that runs rampant after a 9/11-style incident are fairly piquant. SF fans may note that the existence of time travel as a commercial commodity doesn’t seem to have amounted to much in terms of being a game-changer for this imagined society. Instead, the time machine is a handy device for propelling the compelling storyline forward and giving characters something to scheme about.    

A diverting, futuristic, cyber-edged thriller that delivers thoughtful aspects as well as bang-’em-up action. 

Pub Date: Oct. 19, 2019

ISBN: N/A

Page Count: 561

Publisher: Anthem Press

Review Posted Online: Oct. 14, 2019

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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