An intelligent, entertaining take on the possibilities of science.
In Webb and Parekkadan’s debut graphic novel, a near-future civilization is in danger of collapse due to bioterrorism and a miracle drug that may no longer be effective.
Stem cell biologist Bruce Abbott’s Tigris is a drug that’s supposed to end all disease. It’s part of what has made the Nyima Corporation, run by CEO Damon Locke, a global powerhouse. The company is also behind the SEQ network, which contains information on billions of human genomes. The world’s internet and power grid were once brought down for days by a geomagnetic event, so to secure a new power source, NASA plans a mission to sister planet Kepler Z. Some sick people on Earth, however, aren’t in the SEQ system and are being turned away by SEQ-approved physicians. Concurrently, bioterrorists have released a synthetic disease that Tigris won’t cure, leading to an outbreak. Investigators with the Department of Homeland Security connect an ancient marking associated with terrorists to a symbol on Bruce’s watch, which belonged to his brother, Jack, who’s been in hiding for some time. As riots and suicides increase, government operative Henry Ford, in defiance of CIA orders, hopes to find answers by tracking down the symbol’s origin. Or perhaps Earth’s salvation lies with astronaut Tessa Jones, who reaches Kepler Z and discovers an alien species. The authors’ story succeeds at explaining its scientific terminology and seamlessly incorporating it into the narrative. Chapter titles provide definitions that double as metaphors; “Apoptosis,” for instance, is defined as the process of “programmed cell suicide,” while some characters believe that people’s suicides are part of natural human development. Most characters are ambiguous at first; a flashback of Bruce’s relationship with Jack, for instance, sheds light on both men, and more twists involving Bruce come later. The colorful panels are courtesy of LaGaipa and a team of artists, and although differences in the artwork are discernible, the characters and settings remain cohesive. A finale packed with plot turns feels like the setup for a new story rather than an open ending. It’s unquestionably rousing, but readers may anticipate a follow-up.
An intelligent, entertaining take on the possibilities of science.Pub Date: March 20, 2018
ISBN: 978-0-9998195-1-7
Page Count: 284
Publisher: Dream Novels LLC
Review Posted Online: March 23, 2018
Kirkus Reviews Issue: June 1, 2018
Review Program: Kirkus Indie
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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