A gripping saga that reimagines a storied villain as a complex, sympathetic anti-hero.
In this historical epic based on a real-life medieval rogue, a cunning young man rises through treachery—or is it statesmanship?—in an England beset by Viking invasions.
Teenage swineherd Eadric has no aim in life other than wooing scullery maids, but he has a quick wit that somehow lands him an audience with King Ethelred the Unready, and a silver tongue that thoughtlessly precipitates a massacre of troublesome Danish Viking immigrants. Eadric feels guilty, but in the year 1002 an overactive conscience doesn’t help you get ahead. Eadric does other small favors for Ethelred, such as assassinating an inconvenient nobleman who could be his uncle, and wins the sobriquet “Grasper” by using forged charters to steal land from monasteries. Soon he’s lord of all Mercia and married to the king’s ravishing daughter Aydith. Their love is strained by fresh Danish raiders, who make an almost yearly habit of slaughtering and pillaging their way through the English countryside. The ever pragmatic Eadric, who counts blood-soaked über-Viking Thorkel the Tall among his friends, favors buying off the Norsemen with Danegeld tribute—or even surrendering to the rampaging Danish prince Canute, whose ruthlessness Eadric hopes will bring stability and peace. Aydith, a spitfire patriot with a head for military strategy, seethes at her pusillanimous husband, who thinks she might be in league—or in love—with the masked English hero known as the Golden Cross. In the debut of her Sons of Mercia series, Woods tells a ripped-from-the-chronicles story—most of the characters and major events are factual—with an entertaining blend of period realism and Zorro-ish dazzle. She brings to life the violence and skullduggery of the age in exciting scenes of action and intrigue, while vividly rendering the mindsets and motives of this distant era. Her Eadric is a fascinating figure, an amoral yet sensitive man in a chaotic world, trying desperately, and not always successfully, to tame hot passions with cold calculation.
A gripping saga that reimagines a storied villain as a complex, sympathetic anti-hero.Pub Date: Oct. 5, 2010
ISBN: 9781452862866
Page Count: 408
Publisher: CreateSpace
Review Posted Online: July 29, 2010
Review Program: Kirkus Indie
BOOK REVIEW
Young Starla is an endearing character whose spirited observations propel this nicely crafted story.
Crandall (Sleep No More, 2010, etc.) delivers big with a coming-of-age story set in Mississippi in 1963 and narrated by a precocious 9-year-old.
Due in part to tradition, intimidation and Jim Crow laws, segregation is very much ingrained into the Southern lifestyle in 1963. Few white children question these rules, least of all Starla Caudelle, a spunky young girl who lives with her stern, unbending grandmother in Cayuga Springs, Miss., and spends an inordinate amount of time on restriction for her impulsive actions and sassy mouth. Starla’s dad works on an oil rig in the Gulf; her mother abandoned the family to seek fame and fortune in Nashville when Starla was 3. In her youthful innocence, Starla’s convinced that her mother’s now a big singing star, and she dreams of living with her again one day, a day that seems to be coming more quickly than Starla’s anticipated. Convinced that her latest infraction is about to land her in reform school, Starla decides she has no recourse but to run away from home and head to Nashville to find her mom. Ill prepared for the long, hot walk and with little concept of time and distance, Starla becomes weak and dehydrated as she trudges along the hot, dusty road. She gladly accepts water and a ride from Eula, a black woman driving an old truck, and finds, to her surprise, that she’s not Eula’s only passenger. Inside a basket is a young white baby, an infant supposedly abandoned outside a church, whom Eula calls James. Although Eula doesn’t intend to drive all the way to Nashville, when she shows up at her home with the two white children, a confrontation with her husband forces her into becoming a part of Starla’s journey, and it’s this journey that creates strong bonds between the two: They help each other face fears as they each become stronger individuals. Starla learns firsthand about the abuse and scare tactics used to intimidate blacks and the skewed assumption of many whites that blacks are inferior beings. Assisted by a black schoolteacher who shows Eula and Starla unconditional acceptance and kindness, both ultimately learn that love and kinship transcend blood ties and skin color.
Young Starla is an endearing character whose spirited observations propel this nicely crafted story.Pub Date: July 2, 2013
ISBN: 978-1-4767-0772-3
Page Count: 320
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: May 20, 2013
Kirkus Reviews Issue: June 15, 2013
BOOK REVIEW
A thoughtful, boldly imagined ripsnorter that broadens inventive possibilities for the antebellum novel.
High adventure fraught with cliffhanger twists marks this runaway-slave narrative, which leaps, sails, and soars from Caribbean cane fields to the fringes of the frozen Arctic and across a whole ocean.
It's 1830 on the island of Barbados, and a 12-year-old slave named George Washington Black wakes up every hot morning to cruelties administered to him and other black men, women, and children toiling on a sugar plantation owned by the coldblooded Erasmus Wilde. Christopher, one of Erasmus’ brothers, is a flamboyant oddball with insatiable curiosity toward scientific matters and enlightened views on social progress. Upon first encountering young Wash, Christopher, also known as Titch, insists on acquiring him from his brother as his personal valet and research assistant. Neither Erasmus nor Wash is pleased by this transaction, and one of the Wildes' cousins, the dour, mysterious Philip, is baffled by it. But then Philip kills himself in Wash’s presence, and Christopher, knowing the boy will be unjustly blamed and executed for the death, activates his hot air balloon, the Cloud-cutter, to carry both himself and Wash northward into a turbulent storm. So begins one of the most unconventional escapes from slavery ever chronicled as Wash and Titch lose their balloon but are carried the rest of the way to America by a ship co-captained by German-born twins of wildly differing temperaments. Once in Norfolk, Virginia, they meet with a sexton with a scientific interest in dead tissue and a moral interest in ferrying other runaway slaves through the Underground Railroad. Rather than join them on their journey, Wash continues to travel with Titch for a reunion with the Wildes' father, an Arctic explorer, north of Canada. Their odyssey takes even more unexpected turns, and soon Wash finds himself alone and adrift in the unfamiliar world as “a disfigured black boy with a scientific turn of mind…running, always running from the dimmest of shadows.” Canadian novelist Edugyan (Half-Blood Blues, 2012, etc.) displays as much ingenuity and resourcefulness as her main characters in spinning this yarn, and the reader’s expectations are upended almost as often as her hero’s.
A thoughtful, boldly imagined ripsnorter that broadens inventive possibilities for the antebellum novel.Pub Date: Sept. 19, 2018
ISBN: 978-0-525-52142-6
Page Count: 336
Publisher: Knopf
Review Posted Online: July 1, 2018
Kirkus Reviews Issue: July 15, 2018
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