An exceptional sequel that will leave readers eager for more.
Following the events of Black Girls Must Die Exhausted (2018), Tabitha Walker courageously navigates a risky pregnancy, an old flame, and workplace racism in Allen’s delightful sequel.
After the death of her beloved Granny Tab less than a year ago, Tabitha refuses to waste any more time on starting a family. Last year’s medical diagnosis of premature ovarian reserve failure encouraged Tab to do in vitro fertilization with a sperm donor, and she's just received the life-changing news: She’s having a son. Tab plans to raise the child alone as a “single mother by choice, much to the dismay of her ex-boyfriend Marc. Although they’ve been friends-with-benefits for the past few months, she hopes he will join the village (including her friends Alexis and Laila; unconventional doula Andouele; and Granny Tab's best friend, Ms. Gretchen, who's going to be the “glam-maw”) that it will take to help raise her baby. But then her doctor unleashes a bombshell: The baby is a girl, which means it isn't the embryo he implanted. Which means that the baby is Marc's. Suddenly, Tab’s carefully laid plans for the future go haywire in all aspects of her life. Chris, her ratings-hungry boss at the TV station where she works as a news reporter, informs her that viewers have filed complaints about seeing her natural hair on air; Marc wants to be more than friends; and her father might be having an affair, again. Over the course of nine months, Tab can’t help but wonder whether this is the happy ending she chose for herself or whether it was simply decided for her. Author Allen moves through Tabitha’s pregnancy at an efficient pace, writing with flowing, poetic prose, as in this passage when Tabitha unloosens her braids: “They felt glorious, like thick grapevines hanging from my scalp. I let my eyes linger on them lovingly. This moment was my truth. Here I was, the real me—unfurled, free, unrestrained, wild in my spirit and natural in my appearance.” Tabitha’s journey is raw and real, and Allen’s description of the different realities of motherhood is exceedingly authentic and powerful, as demonstrated through this moniker that Tabitha applies to herself: “single mother by courage.”
An exceptional sequel that will leave readers eager for more.Pub Date: Feb. 1, 2022
ISBN: 978-0-06-313-792-9
Page Count: 272
Publisher: Harper Perennial/HarperCollins
Review Posted Online: Jan. 11, 2023
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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