A smart, creative series start from a romance master who always entertains.
Two women who witnessed a murder in their hometown as teens are suddenly targets of an unknown enemy. As the danger rises, a mysterious investigator with ties to an organization devoted to the paranormal steps in to help.
Catalina Lark and Olivia LeClair were 16 when they were exploring the caves around the tiny Pacific Northwest town of Fogg Lake. Fifteen years before, an incident in the caves had led to a large percentage of the population’s showing paranormal abilities. Fogg Lake residents became extremely wary of strangers, and the town's children were “raised with a degree of caution that bordered on paranoia.” That watchfulness may have saved the girls' lives the night they witnessed a murder in the caves. Years later, Catalina and Olivia have left home to start a private investigation agency in Seattle, and while they don’t advertise their psychic talents, they do use them in their cases. Then Olivia mysteriously disappears. Catalina is just beginning to search for her when Slater Arganbright arrives in the city. Catalina once worked with Slater’s uncle, Victor, the head of an “enterprise dedicated to paranormal research,” but it ended badly, so she’s not thrilled to meet his nephew. However as the two gather information, it begins to look like Olivia’s disappearance is connected to the murder the women witnessed as teens and may be tied to a frightening plot to weaponize paranormal power. Saving Olivia will depend on Catalina's and Slater's talents, and working together makes them realize what great partners they are. Krentz (Untouchable, 2019, etc.) shows her wizardry for worldbuilding and once again incorporates paranormal elements, which will thrill fans.
A smart, creative series start from a romance master who always entertains.Pub Date: Jan. 7, 2020
ISBN: 978-1-9848-0643-7
Page Count: 304
Publisher: Berkley
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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