It’s as if Robb armed Offred, gave her backup, and turned Margaret Atwood’s dystopian fable into a comic book.
Lt. Eve Dallas follows the path from the murder of a West Village sculptor to a fearsomely powerful cult.
Dallas and Detective Delia Peabody’s snap forensic analysis in the apartment of Ariel Byrd suggests that the young woman enjoyed wine and sex shortly before she was beaten to death with her own mallet. The absence of a condom or any trace of seminal fluids suggests that her final partner was a woman—perhaps Gwendolyn Huffman, the friend who’d had an appointment to sit for a sculpture. Dallas and Peabody, who take against Gwen from the get-go, derive particular pleasure from attacking the tissue of lies she fed them during their first encounter, and their second, in one of the New York Police and Security Department's interrogation rooms, breaks her wide open. But Gwen didn’t kill her lover; that job seems to have fallen to a member of Natural Order, the cult the Rev. Stanton Wilkey founded with significant financial backing from Gwen’s wealthy parents. Natural Order had counted on Gwen’s ability to lure her fiance, millionaire attorney Merit Caine, into their clutches, and when Ariel threatened the impending nuptials, one of them took her out. But which one? As Dallas and Peabody see in a visit to the cult’s closely guarded compound, Wilkey runs a tight ship, and it’s hard to believe that any of his underlings would have gone freelance without authorization from their racist, misogynistic, anti-gay, rapist master. As the franchise heroine squares off against an outsize villain who ticks all the anti-social boxes, readers around the world will be united in their absolute certainty about what’s coming next.
It’s as if Robb armed Offred, gave her backup, and turned Margaret Atwood’s dystopian fable into a comic book.Pub Date: Feb. 9, 2021
ISBN: 978-1-2502-7274-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Smart, edgy, and entertaining as heck.
Against her better judgment, Lucy Chase returns to her hometown of Plumpton, Texas, for her grandmother’s birthday, knowing full well that almost everyone in town still believes she murdered her best friend five years ago, when they were in their early 20s.
Coincidentally—or is it?—Ben Owens, a true-crime podcaster, is also in town, interviewing Lucy’s family and former friends about the murder of Savannah Harper, “just the sweetest girl you ever met,” who died from several violent blows to the head. Lucy was found hours later covered in blood, with no memory of what happened. She was—and is—a woman with secrets, which has not endeared her to the people of Plumpton; their narrative is that she was always violent, secretive, difficult. But Ben wants to tell Lucy’s story; attractive and relentless, he uncovers new evidence and coaxes new interviews, and people slowly begin to question whether Lucy is truly guilty. Lucy, meanwhile, lets down her guard, and as she and Ben draw closer together, she has to finally face the truth of her past and unmask the murderer of her complicated, gorgeous, protective friend. Most of the novel is told from Lucy’s point of view, which allows for a natural unspooling of the layers of her life and her story. She’s strong, she’s prickly, and we gradually begin to understand just how wronged she has been. The story is a striking commentary on the insular and harmful nature of small-town prejudice and how women who don’t fit a certain mold are often considered outliers, if not straight-up villains. Tintera is smart to capitalize on how the true-crime podcast boom informs and infuses the current fictional thriller scene; she’s also effective at writing action that transcends the podcast structure.
Smart, edgy, and entertaining as heck.Pub Date: March 5, 2024
ISBN: 9781250880314
Page Count: 352
Publisher: Celadon Books
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
SEEN & HEARD
The story is sadly familiar, the treatment claustrophobically intense.
Twenty years after Chloe Davis’ father was convicted of killing half a dozen young women, someone seems to be celebrating the anniversary by extending the list.
No one in little Breaux Bridge, Louisiana, was left untouched by Richard Davis’ confession, least of all his family members. His wife, Mona, tried to kill herself and has been incapacitated ever since. His son, Cooper, became so suspicious that even now it’s hard for him to accept pharmaceutical salesman Daniel Briggs, whose sister, Sophie, also vanished 20 years ago, as Chloe’s fiance. And Chloe’s own nightmares, which lead her to rebuff New York Times reporter Aaron Jansen, who wants to interview her for an anniversary story, are redoubled when her newest psychiatric patient, Lacey Deckler, follows the path of high school student Aubrey Gravino by disappearing and then turning up dead. The good news is that Dick Davis, whom Chloe has had no contact with ever since he was imprisoned after his confession, obviously didn’t commit these new crimes. The bad news is that someone else did, someone who knows a great deal about the earlier cases, someone who could be very close to Chloe indeed. First-timer Willingham laces her first-person narrative with a stifling sense of victimhood that extends even to the survivors and a series of climactic revelations, at least some of which are guaranteed to surprise the most hard-bitten readers.
The story is sadly familiar, the treatment claustrophobically intense.Pub Date: Jan. 11, 2022
ISBN: 978-1-2508-0382-5
Page Count: 368
Publisher: Minotaur
Review Posted Online: Sept. 14, 2021
Kirkus Reviews Issue: Oct. 1, 2021
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