A postmodern fairy tale, by turns evoking horror and wonder, that scrutinizes the relationship between myth and history.
In a fabulist novella, a Jewish man bound for a concentration camp throws one of his twin babies from a moving train; a Polish countrywoman finds the child and raises her as her own.
As he and countless other deported French Jews rush toward doom, a father realizes that his wife does not have enough milk to feed both of their infants and so makes the unthinkable decision to throw one of the babies, wrapped in a prayer shawl, from the moving train. As fairy-tale logic would have it, a poor childless woman in the forests of Poland discovers the baby, and she and her husband risk their own lives to raise the girl as their own. Thus the father’s Sophie’s Choice is redeemed and shown to be one of great humanity. On its face, this story—newly available in English thanks to Wynne’s beautiful translation from French—is about the devastating lengths to which parents will go for the sake of their children and about how saving one life can mean endangering another. But it is also an unlikely tale of survival during the Holocaust that is entirely aware of its unlikeliness. Grumberg uses fairy-tale conventions, but he does so winkingly. This self-consciousness reaches its zenith with a metafictional epilogue that directly addresses the idea of “true stories,” calling upon the reader to question their assumptions about historical fiction and about the relationships between myth and truth. With subtlety and intention, the novella ultimately implores us to consider the purpose of literature after tragedy: well-trodden thematic territory after 1945, to be sure, but approached here in a unique way. It is difficult, in 2020, to write a work of fiction about the Holocaust that is original; even simply in this sense, Grumberg’s work succeeds where many have failed.A postmodern fairy tale, by turns evoking horror and wonder, that scrutinizes the relationship between myth and history.
Pub Date: Sept. 29, 2020
Page Count: 96
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
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by Mitch Albom ‧ RELEASE DATE: Nov. 14, 2023
A captivating allegory about evil, lies, and forgiveness.
Truth and deception clash in this tale of the Holocaust.
Udo Graf is proud that the Wolf has assigned him the task of expelling all 50,000 Jews from Salonika, Greece. In that city, Nico Krispis is an 11-year-old Jewish boy whose blue eyes and blond hair deceive, but whose words do not. Those who know him know he has never told a lie in his life—“Never be the one to tell lies, Nico,” his grandfather teaches him. “God is always watching.” Udo and Nico meet, and Udo decides to exploit the child’s innocence. At the train station where Jews are being jammed into cattle cars bound for Auschwitz, Udo gives Nico a yellow star to wear and persuades him to whisper among the crowd, “I heard it from a German officer. They are sending us to Poland. We will have new homes. And jobs.” The lad doesn’t know any better, so he helps persuade reluctant Jews to board the train to hell. “You were a good little liar,” Udo later tells Nico, and delights in the prospect of breaking the boy’s spirit, which is more fun and a greater challenge than killing him outright. When Nico realizes the horrific nature of what he's done, his truth-telling days are over. He becomes an inveterate liar about everything. Narrating the story is the Angel of Truth, whom according to a parable God had cast out of heaven and onto earth, where Truth shattered into billions of pieces, each to lodge in a human heart. (Obviously, many hearts have been missed.) Truth skillfully weaves together the characters, including Nico; his brother, Sebastian; Sebastian’s wife, Fannie; and the “heartless deceiver” Udo. Events extend for decades beyond World War II, until everyone’s lives finally collide in dramatic fashion. As Truth readily acknowledges, his account is loaded with twists and turns, some fortuitous and others not. Will Nico Krispis ever seek redemption? And will he find it? Author Albom’s passion shows through on every page in this well-crafted novel.A captivating allegory about evil, lies, and forgiveness.
Pub Date: Nov. 14, 2023
Page Count: 352
Review Posted Online: Sept. 21, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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by Barbara Kingsolver ‧ RELEASE DATE: Oct. 18, 2022
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
Awards & Accolades
Best Books Of 2022
New York Times Bestseller
Pulitzer Prize Winner
Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.
It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
Pub Date: Oct. 18, 2022
Page Count: 560
Review Posted Online: July 13, 2022
Kirkus Reviews Issue: Aug. 1, 2022
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