In this sweetly sentimental story set in the frozen twilight of an Arctic spring, George (Morning, Noon, and Night, p. 699, etc.) tells of an Inuit girl who goes out to hunt. Bessie Nivyek sets out with her big brother, Vincent, to hunt for food; in a twist out of McCloskey’s Blueberries for Sal, Bessie bumps into a young bear, and they frolic: climbing, sliding, somersaulting, and cuddling. Vincent spies the tracks of his little sister and follows, wary of the mother bear; the mother bear is just as wary of Vincent. Out of the water rears danger to both the child and cub—a huge male polar bear. The mother bear warns her cub; it runs away, as does Bessie. Brother and sister head back home, “to eat, go to school, and learn the wisdom of the Arctic like Eskimo children do.” The brief text is lyrical and the illustrations are striking, with an impressively varied palette of white, in blue, green, yellow, and gold. Children who note that Vincent goes home empty-handed will wonder why he didn’t hunt any of the polar bears that were within range. While children will enjoy this romantic view of Bessie and the bear, those seeking a more realistic representation of life in this harsh environment will be unsatisfied. (Picture book. 5-8)
Pub Date: Sept. 1, 1999
ISBN: 0-7868-0456-4
Page Count: 32
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1999
This latest Froggy title (Froggy Goes to School, 1996, etc.) is utterly unfocused, with the star careening from soccer dolt to Mr. Superkick. Froggy’s team has a big game coming up with the Wild Things, and he is trying to remember the mantra his father, and assistant coach, taught him: “Head it! Boot it! Knee it! Shoot it! But don’t use your hands!” But illegally touching the ball seems to be the least of Froggy’s worries; distraction is his problem. He is so busy turning cartwheels, tying his shoes, and more, that the only time he makes contact with the ball is when it bounces off his head by mistake. Then, when the Wild Things make a breakaway, Froggy has some dazzling moves to avert a score, but forgetfully grabs the ball at the last second. The other team gets a penalty kick, converts it, but then Froggy makes a field-long kick for a game-winning score. London forces Froggy into too many guises—the fool, the hero, the klutz, the fancy dancer—but none of them stick. Remkiewicz’s illustrations have charm; it is in their appeal that this book will find its audience. (Picture book. 2-6)
Pub Date: March 1, 1999
ISBN: 0-670-88257-7
Page Count: 32
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
From Johnston (An Old Shell, 1999, etc.), poetic phrases that follow a ghostly barn owl through days and nights, suns and moons. Barn owls have been nesting and roosting, hunting and hatching in the barn and its surroundings for as long as the barn has housed spiders, as long as the wheat fields have housed mice, “a hundred years at least.” The repetition of alliterative words and the hushed hues of the watercolors evoke the soundless, timeless realm of the night owl through a series of spectral scenes. Short, staccato strings of verbs describe the age-old actions and cycles of barn owls, who forever “grow up/and sleep/and wake/and blink/and hunt for mice.” Honey-colored, diffused light glows in contrast to the star-filled night scenes of barn owls blinking awake. A glimpse into the hidden campestral world of the elusive barn owl. (Picture book. 4-8)
Pub Date: Feb. 1, 2000
ISBN: 0-88106-981-7
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2000
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